Thomas O'Connor
A professor of history at Boston College, O'Connor is the author of
Building a New Boston: Politics and Urban Renewal 1950 to 1970
(Northeastern University Press, 1993).
Forty years ago, when the Boston Redevelopment Authority was founded,
and work began on creating what we have come to know as the New Boston, the
problems were mainly physical, including such things as a deteriorating
infrastructure, the lack of highways, the lack of parking, the lack of outside
investment.
Today, the problems of Boston are less physical and tangible. Our problems
deal with education. They deal with morality. They deal with drugs. They deal
with violence. They deal with civil rights. I would like to see the city put
together a task force that would consist of leaders in the community who are
involved in these problems. You've got to have people talking not about whether
the high-rises are important, or whether the artery/tunnel is going to be fixed
on time. You've got people dealing with that. But what are we going to do about
education? Or what about violence? What about teenage suicide?
If I were to do one thing, it would be to substantially upgrade the public
school system of the city. We can't just sit back and allow some kids to get a
good education, and be inspired by the arts, and culture, and so forth, and
have other kids just spending time in some dilapidated schoolhouse where the
books are out of date, where the classes are crowded, and nobody gives a damn.
It just doesn't seem right. The most depressing things that I find are when
these youngsters, 10, 12, don't really have any regard for life. It's just a
blank spirit there. They don't seem to have any sense that they have a future.
If they don't end up on a slab, they're going to end up on welfare, and it
doesn't make any difference anyway. I find it so sad.
I was just reading the autobiography of Harry Ellis Dickson, the
second-in-command of the Pops. He went to the public schools in the West End,
was in the school band, and learned his music that way. There are too many
critics who feel that education consists of only the three R's, and that all
this other stuff is a luxury, frosting on the cake. I would submit that in
terms of the totality of a citizen's education, culture and the fine arts are
essential ingredients.
I would like to see Boston as a center of civility, of culture and good taste
-- maybe the one place in the entire country where people can go and get this
sense of a community of well-read, well-behaved, polite, culturally literate
people. And I mean this across the whole socio-economic board. So that the
people living in the neighborhoods -- I'm thinking of places in Italy, for
example, where the guy who cuts fish is singing an aria. People say, "Well,
you're elitist." But I don't happen to regard that as elitism.
Great societies are remembered by what they contribute to the culture of the
nation. And I think Boston is in a position to do this, to restore its
reputation as the Athens of America. But we have to be conscious of it, and I
don't think we are.