Film
Kurds in the way
by Dan Kennedy
Although they've been featured in a couple of low-profile recent movies -- A
Time for Drunken Horses, The Wind Will Carry Us -- the Kurds aren't
nearly as trendy a cause as, say, the Tibetans. Most people became aware of
them 10 years ago, after the Gulf War, when the Bush administration encouraged
them to rebel against Saddam Hussein in northern Iraq. Of course, both the
administration and the American public soon forgot about them, leaving them to
their fate. Thousands were slaughtered.
Yet the Kurds' struggle for a homeland goes on. Kevin McKiernan's compelling
and deft documentary Good Kurds, Bad Kurds: No Friends but the
Mountains, which screens on November 8 at Boston College, points out that
of all the world's ethnic groups, the Kurds are the largest without a homeland.
The problem is that they live in Turkey as well as in Iraq. When they fight our
enemies the Iraqis they are good; but it's a different story when they fight
the Turks, our strategically crucial NATO allies. US manufacturers have sold
billions of dollars in arms to the Turkish military, which has quelled the
rebellion through tactics such as leveling Kurdish villages and uprooting the
population.
"Nobody knows about this subject," says McKiernan. "For example, did you know
that last month US-made planes flown by Turkish pilots bombed a group of
shepherds and their families in northern Iraq, in the so-called safe haven for
Kurds, and killed over 50, mostly kids? It wasn't in the paper. No one from the
media is there, despite the fact that so much American money is involved, so
many millions of dollars. These villages are being wiped out and no one is
covering it."
McKiernan first became aware of the Kurds' plight when, as a freelance
journalist, he covered Saddam's atrocities against them around the time of the
Gulf War. "I was doing stories on the Iraqi Kurds on CBS and NBC and The
Today Show," he says. "They had a great appetite for stories about Saddam's
badness. But Turkey was doing exactly the same thing, and I couldn't get that
on mainstream television. It used to be that reporters were the people who went
over the hill and said something important is going on. But that's changed. The
television networks are saying to the public, `What is it you want to know, and
we'll give you more of that.' "
McKiernan spent nine years making the documentary to get out the story that he
couldn't get aired in the press. Much of the material was shot during
surreptitious visits to Kurdish guerrilla units in the disputed territories.
But the film didn't gel until he decided to frame it through his own personal
view. The movie "used to be objective in the way that we all have learned to be
objective: you put the information out there and you step away," he says. "But
I couldn't get anybody interested in it. So I added this thread of my inability
to tell the story, and I put in the first `I' . . . I worked the structure out
[so that] the arc that I went through in my own development from '91 until this
year parallels the audience getting the information. So that as I found things
out, they would find things out. That was the big difference. "
Good Kurds, Bad Kurds screens November 8 at Cushing Hall 001, Boston
College, at 7:30 p.m. Admission is free. Call (617) 552-4295.
-- Peter Keough