Our man in Slovenia
The most ignored region of the old Yugoslavia is also the closest to being
a peaceful democracy. Oh, and it's the punk-rock capital of the Balkans.
by Wes Eichenwald
LJUBLJANA, SLOVENIA -- To those who knew how this city normally looks, it was a
surreal scene. Traffic diverted, barriers erected, cops on every corner,
airport-style security around the largest public square in town. My relaxed
"city of human dimensions," as it bills itself, had taken on the look and feel
of an armed camp.
The weather had also gone haywire. Ljubljana gets more than its share of rain,
but this had been pounding away without a let-up for hours, whipping in at a
45-degree angle. The plaza was an unbroken sea of umbrellas, and news
camerapeople and their equipment, all wrapped in plastic, jostled for angles
atop makeshift wooden bleachers. Most of the 7000 in the crowd had stood there
for two hours or more and weren't getting any wetter. Finally, around
6 p.m., the introductions came: the loudest cheers went to Hillary and to
Madeleine Albright, before the Man Himself strode onto the podium, umbrella in
hand, a large, beaming, charismatic figure in a charcoal-gray banker's
overcoat. The crowd went wild.
Bill Clinton couldn't stop grinning and waving at the bandanna-wearing,
fist-pumping kids pressing against the waist-high barricades. He waved; they
waved and shouted back, chanting "CLEEN-ton, CLEEN-ton." He was loving it,
flirting with the crowd, using none-too-subtle body language to come on to
them. And they were inviting him upstairs. Dissenters and demonstrators skirted
the fringes, but none were seen in the square.
The day Clinton arrived in Congress Square also happened to be the day NATO
declared a formal halt to the bombing campaign in Serbia, 300 miles south, and
the day the pullout of Serbian troops from Kosovo was (officially) completed;
all the more reason for the crowd's applause. But the main incentive for their
cheers was simply that Clinton had deigned to come here at all, to the capital
of this crumb on the map that hardly anyone in the States has ever heard of.
Clinton's speech was brief and basically news-free; he thanked Slovenia for
standing with NATO (for which it's "an excellent candidate") and praised the
eight-year-old nation's democratic structure as a regional model: "Slovenia can
lead the way. And America will help." At the end, he offered his thanks "for
making us feel welcome. We never will forget this; I hope you won't either."
Fanfare, handshakes in the crowd, exit.
For the Slovene government, it was something of a coming of age. This was even
bigger than last year's visit of the star of the Mexican soap opera
Esmeralda, a cult hit in Slovenia. Prime Minister Janez Drnovsek, at
that evening's banquet, went as far as to say that Clinton's visit "has put us
on the world map."
For Clinton, it was barely more than a whistle stop on his tour of the former
Yugoslavia: 19 hours in a country the size of Massachusetts with a population
of two million; an afternoon, evening, and overnight, followed by a morning
departure for a Macedonian refugee camp. The next day, CNN gave far more
airtime to Clinton at the refugee camp than to his first official visit to the
country that's as close as any to making a Balkan republic work.
Slovenia generally stays out of the news. Even in articles about the former
Yugoslavia, most journalists give it a passing mention at best. Slovenia's
tourist brochures knock you out with pictures of gorgeous scenery -- Alps,
pastoral landscapes, elegant Baroque cities, and the laid-back Italianate coast
-- but outside the region it remains a well-kept secret.
Bordering Italy and Austria on the west, Hungary and Croatia on the east,
Slovenia is the northernmost and westernmost of the former Yugoslav republics.
Ten years ago, when Marshal Tito's Yugoslav federation began to fall apart and
a power-hungry politician named Slobodan Milosevic seized power in Serbia,
Milosevic's heavy-handed putdowns of the increasingly volatile Albanian
situation -- and his 1989 revocation of Kosovo's autonomy -- alarmed the
Slovenes. Their leanings became increasingly democratic and
independence-minded, and the ideological rift between Serbia and Slovenia
deepened quickly. By the end of 1990, a sweeping majority of Slovenes voted to
secede from Yugoslavia; in June 1991, along with Croatia, they did.
And, along with Croatia, Slovenia was attacked by Milosevic's federal army.
But they fared far better than their neighbors. After a tidy 10-day war with
minimal casualties (66 dead), Slovenia set up an independent state with its own
government, largely run by old-line Communist officials turned pro-Western
reformers. With no substantial Serbian minority, Slovenia didn't hold
Milosevic's interest long; besides, he had other fish to fry. Since then,
through a mixture of luck and shrewdness, Slovenia has managed to stay at peace
while Croatia, Bosnia, and, finally, Kosovo suffered the brunt of Milosevic's
push for a Greater Serbia. Meanwhile, Slovenia's government has been trying as
hard as it can to distance itself as much as possible from its troubled former
countrymen. Its message to the West is simple: Balkans? What Balkans? This is
Central Europe.
The few Western expats who find their way to Slovenia discover a
self-contained micro-universe that's directed far more inward than outward.
According to Ales Debeljak, a Slovene writer and scholar, the country's
heritage as a loyal province of the Austro-Hungarian Empire affected the
citizens' psyche more than Tito ever let on. Like the Austrians, the Slovenes
actually obey WALK/DON'T WALK signals at crosswalks. However, in old socialist
fashion, they still shove their way onto city buses, then elbow their way to
the back. As a British Embassy staffer once remarked to an acquaintance,
"Slovenia is the bastard son of a German soldier searching for his Slavic
mother."
For all the turbulence in their past, Slovenes remain rather conservative
socially and politically. The government is a multi-party parliamentary
democracy, but President Milan Kucan, Prime Minister Janez Drnovsek, and the
leading figures in Slovenia's independence movement remain in power a decade
on. Under Kucan and Drnovsek, Slovenia's reform efforts have been praised by
the West, but criticized by dissidents and disgruntled anti-communist Slovene
expats as window-dressing. Though it cherishes its European Union dreams,
Slovenia, a nation of individualist do-it-yourselfers, is used to going its own
way.
It's a fine line to tread: knitting yourself into the fabric of Western Europe
without losing your soul.
All this was more than I knew when I arrived in Ljubljana on an October night
in 1996 (it was also raining then). I knew that Slovenia enjoyed the highest
living standard of any country in Eastern Europe and was intrigued that,
although it was surrounded by larger and very different nations, it maintained
its own distinctive identity.
The first time I heard Slovene spoken had been in a cassette-and-book package
bought at a Framingham bookstore. To me, it sounded like Russian spoken with an
Italian accent. Not a promising beginning. At least it uses the Roman alphabet
(unlike the Serbians and Russians, who use the Cyrillic), but the grammar
seemed like an instrument designed to torture foreigners. Even most Slovenes
have trouble with all the case markings and rules, but they seem to like it
that way: their language, a very private thing.
Over the centuries, this quirky language, more than anything else, is what
held the people together. Apart from about five years in the late ninth century
under a leader named Prince Kocelj, the Slovenes were under another
government's thumb until 1991. Without an independent state, culture
substituted for politics in their national myth -- music, art, and, above all,
literature. From the mid-19th century on, when Slovenes began to develop the
concept of themselves as a distinct ethnic group with a right to
self-determination, it was poets and writers who set the tone for the debate --
beginning with the national poet, France Preseren, whose vision of Slovene
nationhood would not be fulfilled until a century and a half after his time.
Today it's writers, poets, painters, architects, and scientists who grace
Slovenia's paper money and dominate the public monuments. The tradition
continues: Slovenia's drive to statehood is considered to have begun in earnest
when a highbrow Ljubljana magazine, Nova revija (New Review), published
a detailed program for an independent Slovenia in 1987 (Belgrade was furious,
but brought no charges against the authors).
Ljubljana, the capital (it's pronounced l'yoo-BLAH-nah), is very much a
cultural capital as well. It's a walkable city of 300,000 with elegant Baroque,
Art Nouveau, and Neo-Classical architecture set against the willow-lined
Ljubljanica River. LJ is also a college town, and the 35,000 worldly
English-speaking students here affect the city's life much as do their
counterparts in Boston, but with more taste -- and their elders seem to treat
them better. The city boasts four professional orchestras, 22 museums, more
than 100 libraries, an influential alternative-theater scene, and a small but
spirited collection of punk- and garage-rockers. WELCOME TO LJUBLJANA, CITY OF
CULTURE read the signs, in Slovene and English, at the city limits.
Ljubljana's signature asset is its hilltop castle and the surrounding
crescent-shaped, cobblestoned Old Town core below. But as Slovenia modernizes
and brings itself more into line with Western Europe, a new Ljubljana is slowly
morphing onto the old. It seems that every other student, shortly after
graduation, opens either a kava (coffee) bar, a stylish Old Town boutique, an
import-export business, an auto school, or a language school. And each week,
another Tito-era gostilna (the equivalent of the Italian trattoria), heavy on
chocolate-brown wood and orange formica, seems to give way to another
café done up in smooth blond wood, plate glass, and consciously retro
couches. These are swiftly populated by ultra-hip, chain-smoking college kids
and espresso-swilling, cell-phone-happy Yugoyuppies driving late-model BMWs and
Hondas.
Still, old habits die hard. In some stores, it is still normal to visit two
cashiers' windows to a) pay and obtain a receipt from a cashier behind a
bank-teller-like window, and b) present the receipt to another clerk
behind the main counter, who carefully wraps, tapes, stickers shut, and bags
your single nine-volt battery. And there still exist endless neighborhood bars
populated by men who pass most of their waking hours in a nicotine cloud
nuzzling a pale glass of Union or a fizzy bottle of Zlatorog beer, drinking and
talking to their fellow imbibers in a continuing battle to drive away any
possible change in the order of things.
To some, the contrast between new and old is more reminiscent of other Central
European capitals than of the Balkans. A reporter from USA Today even
suggested last year that LJ could end up as the new Prague. That's doubtful:
it's too small, for one thing, and it's not set up for a large influx of
foreigners. Although it's true that Slovenes share some American traits --
primarily, a focus on work and business -- they take time to visit friends and
family, too. And -- oh yes -- they're polite and modest. The modesty is best
expressed by their inevitable surprise whenever any outsider (say, Bill
Clinton) takes an interest in them. One of my early encounters in Slovenia was
with a middle-aged man who, when I told him I'd relocated to his country and
planned to write about it, said, "You came all the way over here -- just to
study us?"
Smallness can be a blessing. Slovenia's place in Europe might be compared to
that of the youngest, overlooked child in a large family, who, while his
siblings noisily quarrel over their share of the blankets, quietly puts
together his own bed. Smallness can be a curse, too. Slovenia's politics are as
personal, petty, and filled with lifelong grudges as anything Boston's history
has to offer. A local paper once published a cartoon titled "Slovenski Ring,"
depicting a Slovenia-shaped boxing ring inside which a lone boxer beats himself
up.
The cultural homogeneity that has allowed Slovenia to survive has its
distasteful aspects as well. For one thing, there's the '50s-style sexism.
Although a woman, Viktorija "Vika" Potocnik, was recently elected Ljubljana's
mayor (Hillary Clinton stopped by City Hall for a public chat), females are
just not seen in national politics. And racism, or xenophobia, is what one
would expect in such a monocultural society. Although the small Italian and
Hungarian minorities at opposite ends of Slovenia have constitutionally
guaranteed minority rights -- including education in their own language and
parliamentary representation -- no such guarantees exist for the true invisible
minorities in Slovenia: the perhaps 150,000 or more emigrants from the other
Yugoslav lands, including an estimated 50,000 Serbians.
A poll taken last year by a government economist and a university professor
asked people the question, "Who would you not like to have as a neighbor?" The
tally for Slovenia's former countrymen was rather high (except for Croatians).
So was the tally for Jews -- an eyebrow-raising fact, given that even before
1939 there weren't many Jews in Slovenia and today there are probably less than
a thousand. Also unpopular: Hindus, Muslims, blacks (not too visible either),
gay men and lesbians (less rare), alcoholics (not rare at all), and even
friends -- Slovenes do value having friends, just not next door. Their
ideal neighbor seems to be something like a taciturn Finn.
In general, permanent residency in independent Slovenia is hard for
non-Slovenes to get. A friend of mine named Vuk -- an ethnic Croatian Web
designer with a Yugoslav passport -- has forged a successful Ljubljana-based
career while renewing three-month tourist visas for the past eight years. He
reports never having experienced prejudice from the locals, but then, as he
points out, he moves in hip professional and collegiate circles in the capital.
"If you're good at anything and you've arrived at your niche," he says, "you
will have very little problem. You don't have active repression of any sort, so
this does make Slovenia a safe haven compared to Croatia or Bosnia."
Things are different for Westerners. Once a month, Ljubljana's
English-speaking expats -- mostly Brits, with the odd American or Aussie --
gather at a basement bar called Klub Drama to insult each other, commiserate on
the difficulties of learning Slovene, ask each other for work, and rag on their
home-away-from-home. I usually give these meetings a wide berth, but one Expat
Night, on a cold, slushy evening in December 1997, sticks out. I was settled
into a booth with four others, listening to a monologue by Andrew (not his real
name), a scruffy Brit in his 20s. When I mentioned Slovenia's expected entry
into the EU in five or six years, it set him off on a toot.
"Five or six years! More like 15 or 20! There are 80 books of regulations
alone that all have to be translated. Five or six years? This country is headed
for a crash in three years. When they're forced to compete one-on-one in the
European market, they're going to be picked a-paht. There isn't one
sector they're competitive in."
Andrew grew more agitated; his voice rose to a shout. People at neighboring
tables started to glance in his direction. But he'd built up a head of steam:
"The people in this country have been ripped off since the day they were
born. They have no idea what fair market value is. They don't
know how to be competitive! There are 30 banks in this country. For two
million people. That's more than there are in Britain, with 56 million
people!
"Just ask yourself," Andrew continued, "where's the money coming from?" The
question hung unanswered. "There is no rule of law in this society. This isn't
Europe, this is the Balkans," he said with an air of finality.
"Well then," said the Slovene-Australian gentlemen across from him. "If you
feel this way about your host country, why don't you just pack up your bags and
leave?"
"Because I love it. It's a magical country -- that's fucked up from top to
bottom!"
The mists outside thickened. Eighteen months later, Andrew is still in
Ljubljana.
As Slovenia slowly knits itself back into Europe, it faces tough choices about
how much of its hard-won independence it will willingly surrender to EU
directives from Brussels. To be a Slavic Switzerland, a success story outside
the normal European alliances, doesn't seem realistic. But there is widespread
concern that EU-topia would lead to a blurring of the country's distinct
culture, its small farms, its elaborate costumed small-town pageants, its
quality handicrafts, its traditional (pre-polka) folk songs with weirdly
compelling harmonies.
Then again, others can't wait for the day. "I am happy that Slovenia is now
independent and that it's not communist," says Ifigenija Simonovic. "I am not
happy with the slowness of the change."
During the early to mid '70s, Simonovic was a young poet of some note on the
Ljubljana scene. She moved to London in 1978, and now visits the city once or
twice a year, with no plans to move back. "I think the main concern," she says,
"is that the [old] communist regime is still dictating. Far from changing to
Western ways, it's sticking to the old Eastern communist way with problems,
which is keeping them undealt with for as long as possible. All the people who
were prosecuted through the communist regime are still not getting
compensation. They are made to go to court to prove their innocence when they
were prosecuted, which is not even legal. People who live abroad still don't
have their pensions! It's been 10 years! They supported the independence of
Slovenia and they still don't get anything."
To Simonovic, Slovenia remains part of the Balkans. "Not because of history,
but because of the behavior: how we behave in politics, economics, in doing
things non-openly. I think we're not civilized enough."
As for the redeeming parts of the Slovene character, she says, "They are the
most creative when they're left alone. They don't like to do projects in
groups. They don't get involved in politics in other nations. That might
preserve them from being immersed in Europe or globalization, which we are
quite scared of."
Metelkova, an army barracks dating back to the 19th century, is the spiritual
home of Ljubljana's alternative arts scene. Before the massive, orange-roofed
complex was built, the site was a public hanging ground on the outskirts of a
city a tenth of its present size. Today Metelkova houses artists' studios,
galleries and experimental theaters, 'zines and literary reviews, offices of
various cultural societies, an anarcho-pacifist collective, a house for gays
and lesbians, a center for the "handicapped deprivileged," a women's center, a
pub or two, and a punk club called Channel Zero.
Among its other distinctions, Slovenia was known in the '80s as the punk-rock
capital of Yugoslavia, and this compound is about the only place left in town
where you can get a whiff of Ljubljana's pre-independence ferment. By one
estimate, in the declining years of the Yugoslav federation 80 percent of
the younger generation was listening to the spawn of Johnny Rotten and the
Clash. Even today, garage bands such as Dicky B. Hardy and 2227 pound out
a beat -- with Slovene or English lyrics -- that wouldn't have been out of
place in mid '80s Boston.
Most observers agree that punk's rise here at least indirectly contributed to
Slovenia's independence. "Punk was important for democratization," says
33-year-old journalist Ali Zerdin. The music -- and the resulting heavy-handed
crackdowns against the fans -- catalyzed a local debate about freedom of speech
versus repression. "Belgrade," he adds, "rejected this debate."
It's the Saturday night before Clinton Monday, and Zerdin and I are hoisting a
few at the Orto Bar, one of LJ's essential rock clubs. At the dingier end of a
small, sooty side street called Bolgarska, the Orto Bar only really starts
hopping after midnight, and bops until dawn or past. No tourists ever find
their way here. The clientele is young and gregarious, and the vibe and the
interior suggest lower Manhattan, only with drinks one-third the price. Zerdin
is covering Clinton's visit for Mladina (Youth), a half-satirical,
half-serious weekly with a pedigree dating back to the middle of World
War II. (The title originally referred to Slovenia's Communist Youth
League.)
"The problem in Slovenia is the human resources are small," he says, sipping a
glass of cider. "We have enough people to form one and a half governments. I
think there are perhaps 25 people in Slovenia who are clever enough to be
members of government."
When it comes to foreign influences, Zerdin will take the US over Europe any
time. "It's difficult to have respect for European politicians," he says,
because of their record in the Croatian and Bosnian messes.
"The stereotype we have about ourselves," he continues, "is workaholics,
modest, polite, hard-working, thrifty. Another is, `We are not part of the
Balkans, we are part of Europe.' If I say to someone that his way of thinking
is Balkanic, these are heavy words."
Still, even if it's no Kosovo, Slovenia is tied to the Balkans by geography and
by history. Slovenia's politicians have thus far avoided Balkan entanglements,
aside from letting NATO planes fly over their airspace, but in a sense, many
Slovenes actually have fairly close emotional ties to Serbia, deny them as they
may.
Over here, it's called Yugonostalgia; most people will tell you it doesn't
exist, but there seems to be a longing in certain circles for the food, the
dances, the more casual spirit, and, yes, the self-confidence of their
estranged southern cousins. There is also profound ambivalence over NATO's
bombing of Belgrade -- arguably necessary, but a tragic fate for a city once a
vibrant center of cultural and intellectual activity for all Yugoslavia. Says
Ali Zerdin, "I personally had a lot of difficulties to accept the bombing of
Belgrade, but I couldn't think of any better solutions."
Milan Kucan -- the only president Slovenia's had since independence -- has
known Slobodan Milosevic longer than practically anyone: since 1962, when both
were law students and involved in Yugoslav communist youth organizations. A few
years later Kucan became president of the Slovene youth league, and in the '80s
lived for four years in Belgrade.
This puts the president in an interesting position. "Kucan," says Zerdin,
"should be the one who should be asked every time what to do with Milosevic."
The potential to be a regional player isn't lost on Kucan. He has proposed
that Slovenia play host to a European conference on stability in the Balkans,
an idea endorsed by Czech president Václav Havel. My friend Vuk,
however, dismisses this: "The only interest that Slovenia has in this is to
organize a grandiose public-relations conference and get public-relations
points."
The Slovenes do have a knack for PR and diplomacy when the occasion arises.
Since they speak the West's cultural language and understand the Balkans as few
others can, why not be a bridge between north and south, east and west?
"Slovenia would have no interest in doing so," cautions Vuk, "and the south
would be wary of Slovenia." There's a reason, he adds, that a leader from
Finland was chosen to broker peace in Kosovo.
"The average Slovene," says Zerdin, "would say Milosevic is not our problem --
we never belonged to this part of the world."
That sort of historical amnesia seems widespread in Slovenia these days.
However, a recent exhibit at the Museum of Recent History examined with
frankness and clarity the legacy of Tito-era repression, spying, and
censorship. It was well attended by all ages and may have been a watershed in
the development of a society still groping for its identity and a way to deal
with both the bright and dark sides of its history.
"Today in your Congress Square," said Clinton to Slovenia's elite at a banquet
in a 16th-century castle, "I saw the future -- in the faces of the young people
who braved the rains to express their support for our shared dreams. I saw
those who will lead a free Slovenia into the new millennium."
Clinton may have been on rhetorical autopilot, but he was correct about one
thing: the sound of young Slovenia is much different from the old polka tunes.
The most hopeful sign may be that young Slovenes are scared of Slovenia
isolating itself, which seems to have been the trend over the last couple of
years. They travel a lot, are increasingly intolerant of borders and more
tolerant of differences, and want to call Europe home. Ali Zerdin, for one,
calls his country's isolationism "narrow-minded and egotistical."
If Slovenia, as Clinton suggested, is to serve as a model for the Balkans and
other struggling countries in the region, it must adopt another unofficial
motto for itself besides "Slovenia for the Slovenes." For all the denials
coming from the barstools and the Parliament, it's clear that the citizens do
still care about what goes on to the southeast. Just look at any local paper
and note the column inches devoted to Kosovo, Macedonia, and Montenegro.
While he praises Clinton, writer Ales Debeljak makes this clear: "If we were
totally dependent on the goodness of flying presidents, this would be too much.
We can be manipulated only to the extent that we don't believe in anything
positive, anything original, anything honorable. As an independent country
Slovenia does not always take the most admirable way, but is steadily
demonstrating that it can also have ideas of its own."
Shortly after Clinton and company departed, headed for the Macedonian refugee
camp, the cloud cover went from monotonous gray to a few non-threatening bits
of fluffy white. The sun shone brightly. The air was refreshing. The reviewing
stand, platforms, and barriers were dismantled before noon, and few signs of
the previous day's events remained save for the face-lifted park and the
Ljubljana city flags fluttering from the nearby buildings. Cool jazz wafted
from speakers at the tourist office and the ticket office over by the Cankarjev
dom cultural center, aiming to put passersby in mind of the 40th annual
Ljubljana Jazz Festival at the beginning of July.
I strolled along the river, as I'd done a thousand times before, and gazed
toward the postcard view of Preseren Square and the triple bridge. I saw an
exquisite picture of harmony and grace. Part of me knew it was a wonderful
illusion. For all the problems on this patch of ground, though, I saw a saner,
calmer way of life than the one I'd left behind in Boston. And my heart still
leapt.
My city was back.
Wes Eichenwald, a former Boston-based freelance writer and Phoenix
contributor, moved to Slovenia in the fall of 1996 and hasn't looked back,
except for a couple of times. He can be reached at
nahrbtnik386@hotmail.com.