Me, naked
How to keep from dying of exposure
by Michael Joseph Gross
Fame and nudity, a perennially sensational
combination, are no longer all that scandalous. Vanessa Williams has bounced
back fairly well since abdicating her Miss America crown over pictures in
Penthouse; more recently, radio host Dr. Laura Schlessinger lost not one
tittle of her moral authority when a Web site published an old boyfriend's
snapshots of her private assets.
The risks for obscure people, however, may be a bit greater. Christian Curry,
a rising star in Morgan Stanley's real-estate investment-banking division, got
canned last year shortly after he posed nude for Playguy. Morgan Stanley
says Curry was fired for expense-account discrepancies; Curry has filed a
discrimination lawsuit.
One wonders what makes a person feel the need to bare all in the first place.
The Internet has created an open line of distribution not only for images of
Brad Pitt standing naked on his hotel balcony, but also for pictures of
you spread-eagled, posted by a vengeful ex. Today the risks of posing
naked are enough to make a guy cling to his briefs like Elizabeth I, who,
for fear of the plague, didn't change her underwear for months at a time.
So why would a person, famous or obscure, take it off for the camera? Let's
look at this question from the perspective of a representative obscure person,
who found himself semi-erect in front of a photographer he didn't know from
Adam.
That would be me.
It started last spring in an Internet chat room. I met a photography student
who was looking for models for a class project. The solicitation appealed to my
vanity: skinny kids like me have image problems like nobody's business. I'd
been celibate and closeted for 24 years, and had recently begun going to the
gym and developing some curiosity about how sexy I actually was.
The photographer and I decided to meet for a beer. He didn't seem like a
creep, and four days later I was dropping trou in his studio on Beacon Street.
At first I felt like a dork, and pictures from the early parts of the session
show a very tense person whose general stiffness was mitigated only by his
fearfully flopping thing. I asked the photographer what I should be thinking
about.
"Marilyn said she always thought about men," he offered.
I conjured up my fondest sexual memories. "Oh, that's great," the photographer
exclaimed, the auto-advance on his camera ka-chooming like a toy gun. "That's
great. I can't believe you've never done this before." Part of me was
still smirking "bullshit," but a bigger part was letting myself become the hot
guy he said I was.
When I saw the photos for the first time, I was surprised by my visceral
reaction -- a mostly pleased, appreciative feeling that bore little trace of my
customary disgust when facing a mirror. In this state of pleasurable
narcissism, the words "Wow. I'd sleep with me" shot across my synapses.
On-the-record nudity had been, I realized, a good idea after all.
That was before his class project went public.
Several weeks later, a professional colleague sent me an e-mail titled
"Slippin' Outta That Leather Jacket. . . ." He had happened
upon the photography show in which my pictures appeared and had come away with
a much fuller sense of my personal capabilities than I display in most
professional settings.
A little flare of panic went up. This person who I work with, who makes
decisions about what projects I can or can't do, who always wears
clothes, has seen me naked. But my line of work is, fortunately, more
liberal than investment banking, and something in me had the good grace to
laugh and shoot back some little joke.
Then, being a Protestant mensch, I had to have an earnest go-round with myself
over a cup of coffee. Shame about my body was an old habit; I'd flagrantly
flipped that off by posing naked; I had then gotten caught working out my
personal stuff in a public setting. But, I figured, the guy who saw those shots
probably came away with the idea that I am less self-conscious than I actually
am, which might result in his treating me as if I have more self-confidence
than I really do, which might result in my responding to him as if I have more
self-confidence, which might result in actually having more
self-confidence.
What dummy ever said that full exposure weakens the imagination?
When I told a few friends about the pictures, several of them responded by
telling me that they have naked pictures of their own. One friend has nude
pictures taken every year on his birthday, to track time's treatment of his
body. Another told me she had naked pictures taken as a young woman (one of
which is framed and hung discreetly in her apartment) because she wanted to
press the flower of her youthful self. A few admitted that they'd had pictures
taken for the sole purpose of Internet cruising. South End photographer Peter
Urban, who frequently makes portraits of men in various stages of undress, says
this last is the most-cited reason for his clients' desires to bare all. "It's
marketing," he says. "People want something that's gonna work for them."
What's interesting about naked pictures of obscure people is very different
from what's interesting about naked pictures of famous people. Tracking down
Dr. Laura nude on the Web is a falsely intimate event in a falsely intimate
relationship. We fetishize the naked famous for the same greedy reason that we
look at pictures of their houses. We love to push the false promise that
stardom always makes -- that stars, though realer and better-looking than we
are, somehow belong to us.
Looking at naked pictures of yourself, by contrast, is an actually intimate
event. Unlike an ephemeral mirror image, or the awkward snapshots we collect
from travels and parties and dinners, naked pictures can provide a stable,
almost comprehensive image of the body around which the mind can wrap itself --
and, maybe, to which it can reconcile itself.
These days the photos sit in the darkness of a filing cabinet beside my desk.
Every once in a while I think about having another set taken (I mean, I've
gained 10 more pounds of muscle since then, and my visible abs have gone from
four to six). I doubt I'll go through with that. The first set of pictures made
their point, and I think the job of proving it further is better left to the
imagination.
Michael Joseph Gross is a freelance writer living in Boston. He can't wait
for his parents to read this.