DJ Logic: Project Logic
Even though a DJ was headlining last Thursday night at the Middle East, by five
minutes into the set it was obvious that this was no typical turntable
throwdown -- there were no b-boys in the crowd, Bowie guitarist Reeves Gabrels
was warming up backstage, and DJ Logic was halfway into a beat-less intro that
cross-faded airplane engine roar, Arabic chanting, and Atari 2600 explosions.
As atypical as it seemed, this was business as usual for Logic, a turntable
musician who's spent the better part of the past decade on a road less
traveled. Although he grew up in the South Bronx, Logic's scene has always been
more downtown than boogie down. After a stint in the black rock band Eye &
I, he became a Knitting Factory regular, collaborating with Don Byron, Vernon
Reid, and, eventually, Medeski Martin and Wood -- the organ trio who included
Logic on their 1998 album Combustication (Blue Note) and a subsequent
tour. Dipping into his fat book of contacts, Logic's debut CD, DJ Logic
presents Project Logic (Ropeadope), features cameos by Marc Ribot, Vernon
Reid, and John Medeski.
Logic's not just a skilled DJ, he's also a talented all-around musician.
Eschewing flashy scratching displays, he fronts chunky hip-hop beat slinging,
knob-twisting dub, and chaotic sound sculpting -- sonic trademarks that've made
him the man to call when jazz cats want to tap into the hip-hop zeitgeist. The
results -- both on the album and in concert -- favor multi-textured grooves
over highflying solos.
Although he didn't bring any of his album crew along to the Middle East, Logic
invited some like-minded locals -- guitarist Reeves Gabrels, Club D'elf bassist
Mike Rivard, and MC Mr. Lif -- to join his quartet (Mike Whiteman on keyboards,
Eric Paul on drums, Scott Palmer on bass, Casey Benjamin on reeds). Logic's
Anvil-cased turntables may have been front and center, but his easygoing
attitude allowed the guests equal time in the spotlight, a smart move that led
to some searing art-metal riffage from Gabrels and a Mr. Lif freestyle that
rhymed "Pluto" with "Judo," and "Menudo" with "Bledsoe."
-- Michael Endelman