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Slideshow: Heide Hatry at Pierre Menard Gallery

Heide Hatry's pig skin portraits "Heads and Tales" at Pierre Menard Gallery.

By HEIDE HATRY | March 5, 2009

Heide Hatry, Anji, 2008, silver hallide C-print, 30 x 20"
Read "March of the Pigs" by Evan J. Garza.

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The whiff of art
The stench came from the rotting corpse — well, it appeared to be a corpse — of a woman who'd been laid out on a metal table like an exhumed murder victim awaiting a coroner's examination.
Finding art in the oil
Heide Hatry might not be the first person you'd think of to come out swinging in favor of all the pelicans and turtles screwed by British Petroleum's ongoing sliming of the Gulf of Mexico.
Interview and photos: Gerard Malanga
In Walt Whitman’s notebook for the 1855 edition of Leaves of Grass , he writes, “Every soul has its own individual voice.” That notion rang true for photographer/poet/filmmaker Gerard Malanga as he put together “Souls,” an exhibit of 100 portraits spanning five decades.
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The whiff of art
The stench came from the rotting corpse — well, it appeared to be a corpse — of a woman who'd been laid out on a metal table like an exhumed murder victim awaiting a coroner's examination.
Finding art in the oil
Heide Hatry might not be the first person you'd think of to come out swinging in favor of all the pelicans and turtles screwed by British Petroleum's ongoing sliming of the Gulf of Mexico.
Interview and photos: Gerard Malanga
In Walt Whitman’s notebook for the 1855 edition of Leaves of Grass , he writes, “Every soul has its own individual voice.” That notion rang true for photographer/poet/filmmaker Gerard Malanga as he put together “Souls,” an exhibit of 100 portraits spanning five decades.
March of the pigs
Kiki Smith curates at the Davis, Pigskin portraiture in Cambridge
Slideshow: Sigg Collection at Peabody Essex Museum
The Sigg collection of contemporary Chinese artwork on display at the Peabody Essex Museum
Time out of mind
Luisa Rabbia created a slow-moving video work that offers a kind of travelogue of her own journey through Isabella Stewart Gardner's historic scrapbooks.
Here comes trouble
There’s nothing like a brouhaha to make art feel relevant. And the Boston art scene has just been blessed by two.
Lost in translation
Spring can't come soon enough, since it'll be bringing with it some engaging museum shows in and around Boston.
Killing me softly
A sailor is mopping the deck of a large vessel when a fellow shipmate approaches. Suddenly, the shipmate climbs onto a wooden chair, reaches for the refrigerator, and swings the freezer door smack in the face of the hard-working deckhand, who collapses onto the tile floor. Such is the world of Israeli artist Guy Ben-Ner.
End-of-year exhibitions reveal mystery and beauty
Think it’s impossible to find a newish gallery show at the end of December? Think again.
Maritime after time
There's no question about the Peabody Essex Museum's unwavering love of all things nautical. How many other museums employ a curator of maritime art and history (in this case, Daniel Finamore)?
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