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When I look at what the backlash is going to be, I thought the backlash had already happened. Do you think that there is more coming? What’s the next step?
We are about to make a huge jump in terms of venue size and record sales. We have basically exceeded everyone’s expectations, especially in record sales.

What have you guys sold so far?
Over 38 in the US in a week.

Are you on the charts yet?
We were charting the first week. In Japan we are charting with imports. We’re just trying to stay alive. The adversity we will face is simply cynicism.

If you guys are able to do that and cross over, which is just a crap shoot, the big question is “are they pop enough?”
You asked me about my voice earlier. If we do cross over…that’s crazy. Listen to my voice on this record. I have to repeat myself. That is a particular character I have decided to sing. I don’t normally sing that way. It’s a whole other voice. My father sang opera for many years and he thinks that I am absolutely insane. But he loves it. But he has no idea what I am doing. It’s not necessarily not good for you, but it’s not the way people are supposed to sing. If we become successful in that way, let’s be honest with ourselves; that is crazy. That’s really cool too. If that voice can break through in that way, what does that say about the pop culture climate? Where it stands and what people are looking for. It’s really kind of weird. I think it’s weird. And I’d be ecstatic if it worked that way. That to me is the inner, critical self where I am always thinking about the effects of everything. I love the fact that we look out on the crowd and it’s Frat dudes with New York Yankees hats on backwards screaming out all the lyrics while I’m screaming like a girl.

So your dad was an opera singer?
My dad was a music teacher, he sang opera. He sang in New York, underground, nothing huge. He’s currently the chair of a concert series in Buffalo. He brings in all these independent artists like Joshua Bell. It’s pretty awesome.

Was your mom musical as well?
She is pretty musical. She can sing. But my father was the one who was feeding me Beach Boys and Beatles on a regular basis. When I learned to play an instrument, I didn’t want to know how to play an instrument, I wanted to know how to write a song. And my dad just made me crazy about pop music very early on. I don’t think he really understands that he did, but I mean "Barbara Ann" was my jam in kindergarten. I brought in this weird tape player with Phantom of the Opera on it and I walked around with it on my shoulder. And all the dudes hung out with me because I was the dude with the boom box. I’m not even kidding. That’s my dad’s fault. I’ve always wanted to write pop music and I’d like to blame my dad for that.

Hopefully, some day I’ll be able to make some sense of what I am doing right now. You asked me how it happened. I have no memory of exactly how it happened. I just know that it happened and we are somehow successful now and I have no idea how it happened. I know that it’s there, but there is a very limited timeline that I can provide.

I feel that I watched it happen, and it was a sort of odd trajectory. I had already given up on the idea that you could make any connection between bands that you like and the bands that other people will like. It’s an exceptional Boston story, because that doesn’t happen in Boston. No one else knows that, so there are A and R guys coming to Boston looking for the next Passion Pit. I mean that’s actually happened.
That’s the fuckin coolest thing ever. I remember that Billboard wanted to write an article about the bidding war. I was like, “this is journalism and you want to publicize private legal matters?” I told them no and then they wrote an email back saying ‘no more Passion Pit’.

What?!? Are you fucking kidding me?
I have no problem going on the record saying that. We’ve been in Billboard since. That’s the kind of stuff we are dealing with. I have to do favors for people. I don’t want to do favors for people.

You’re dealing with the idea that this thing that you started out doing as a working project has become a commodity.
That is what Passion Pit is now. Struggling with that idea of basically selling yourself. But because I love the concept so much, I’m completely open to it.

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Comments
Re: Interview: Michael Angelakos of Passion Pit
Wow-- nailed it. What a great, candid interview. It's refreshing to see success actually provide or enable insight and awareness instead of... removing it. Which is to say: Way to stay grounded while still rising way, way up. More power to all the kids in this camp; all of whom have been nothing but gracious and honest anytime I've had the pleasure of chatting with any of them.Something that's been interesting to watch is how post-Manners Passion Pit will be lauded, yet somehow simultaneously condescended to, by press; occasionally in the same paragraph. (Speaking here, of course, of the exact same press which unconditionally praised Chunk Of Change). I honestly think it was (yet again) Pitchfork who set this bullshit precedent. The attitude's like, "Urgh... OK, fine. It's good. Possibly great. We'll admit it. But we don't really want to." And I'm always thinking: "Why the fuck don't you want to admit what you know in your heart to be true?" And I always arrive at the same answer, which is that whole, stupid, pointless "cool/uncool" thing that was touched on in this piece. Anyway. Thanks for making my favorite record of the year. Best of luck, not that you'll be needing any of it at this point. I feel like your music was always meant for a wider, more genuine audience-- as opposed to all the blog-y "Little People"-- and how fucking crazy/exciting is it going to be to finally arrive to play for them?
By chaseofbase on 07/30/2009 at 5:43:07

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