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For Boucher, Grimes has been a gamble, but one that so far has paid off in a way that displays the power of just doing it, damn the risk. "It was tricky at first, when I stopped doing everything else and focused on Grimes. But it was good because I was super desperate, and I knew that if I fucked this up, I'd starve to death or something — so it was pretty cool." ^

GRIMES + BORN GOLD + BIRTHDAYS | Great Scott, 1222 Comm Ave, Boston | March 26 @ 9 pm | SOLD OUT | greatscottboston.com

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ARTICLES BY DANIEL BROCKMAN
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  •   BAD BRAINS REFUSE TO COMPROMISE  |  April 11, 2012
    Most bands tend to take credit for their successes while chalking up their failures and struggles to a cruel and unforgiving musical environment — but hardcore punk legends Bad Brains aren't most bands.
  •   MADONNA | MDNA  |  April 03, 2012
    There was a time in the mid-'90s when it seemed that Madonna was finally acting her age: with the 1994 release of "I'll Remember" and the subsequent greatest-ballads collection Something To Remember, it seemed as if the Material Girl was resigned to a lifetime of mature songcraft and age-appropriate jams that would serve her well into her 50s and beyond.
  •   THE QUIET SIDE OF A PLACE TO BURY STRANGERS  |  March 27, 2012
    When you are surrounded with those jagged barbs of sheer bloody noise for the first time, do you run for the hills or continue to stick your head in the acid bath? It only takes a few seconds of luxuriating in the stinging audio hailstorm that is A Place To Bury Strangers to know how a young Oliver Ackermann reacted to the noise threshold test.
  •   UNSANE | WRECK  |  March 28, 2012
    In a lot of ways, the legacy of '90s rock is one of sheer ugliness — so many bands found so many ways to make so many genres sound so unrepentantly unattractive, whether it was the sonic miasma that was late-'90s nu-metal or the post-grunge dirty-blues thick sludge that was the prevailing sound of guitar rock throughout the decade.  
  •   3 INCHES OF BLOOD PARTY ON  |  March 21, 2012
    In a culture obsessed with decoding the lyrics and attitudes of modern popular music, nothing gets more closely scrutinized than heavy metal.

 See all articles by: DANIEL BROCKMAN

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