March 14 - 21, 1 9 9 6

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**** Fugees

THE SCORE

(Ruffhouse/Columbia)

The Score's cover art suggests a combination of The Godfather and Goodfellas, but the folly of gangsta rap is the recurring theme. Lauryn Hill starts the album rapping, "I get mad frustrated . . . thinking of all them kids that try to do this for all the wrong reasons." Then she's crooning and rhyming, "While you be imitating Al Capone/I'll be Nina Simone." And she follows hard with "Even after all my logic and my theory/I'll add a `motherfucker' so you ign'ant niggas hear me."

The Score realizes the promise shown by the New Jersey trio -- Hill with guy rappers Wyclef and Pras -- on their 1994 debut, Blunted on Reality. Smart production and arrangements combine hip-hop loops and beats with heavy reggae flavors, soulful singing, and live instruments. Sure, they rap about sucker MCs and crooked cops, but they also cover deception ("The Mask"), loyalty ("Family Business"), emotional pain ("Manifest," a dancehall "Killing Me Softly"), and hope (Wyclef's take on "No Woman, No Cry"). The skits flow cinematically from absurdly funny to tragic -- highlighting the group's remarkable humanism, intelligence, and sense of drama. The Score is feel-good, must-hear, thrill-a-minute hip-hop.

-- Roni Sarig


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