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*1/2 Hayden
EVERYTHING I LONG FOR
(Outpost/Geffen)
In this month's
Spin, Hayden explains, "Instead of keeping a diary, I've made songs into
little stories . . . it's the stuff that made me who I am."
This is both Hayden's boon and his bane. His lyrics and his pared down
folk-grunge are refreshing in their lack of presumption. On the other hand, he
is your average product of Canadian suburbia, and his life events (the source
of his inspiration) are pretty boring. His groggy voice and lead-handed
acoustic guitar beg for deep-rooted angst; instead, we get couplets like "I
gotta go to the grocery store/Find someone I adore." The simple AAAA rhyme
scheme comes off sincere for the first few songs, but halfway through the
album, his throaty monosyllables just get whiny.
When Hayden takes some risks, as he does on "Driveway," his style becomes a
lot fuller. Squealing instead of droning, he mixes in one of the album's rare
drum tracks, which makes it easier to ignore those lyrics. He certainly isn't
offensive -- his biggest challenge to the establishment comes when he urges us
to play hooky with a loved one in "In September." But his calculated
naïveté and good spirits quickly become inane.
-- Rachel Stokoe
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