Give Joe Henry credit for one thing: he's not afraid to buck trends, even if he helped create them in the first place. Although bands like Son Volt are making a few dollars from the kind of earnest country rock that Henry did to perfection on 1992's Short Man's Room, and to a lesser extent its follow-up, Kindness of the World, he leaves his fiddle at home for Trampoline, his sixth album, a moody, restless album that favors stripped-down, funky grooves and an eclectic palette of ambient sound effects, including string arrangements, trombones, and zithers. *** Joe Henry
TRAMPOLINE
(Mammoth)
Henry has pared down his typically enigmatic lyrics, and his characteristic dark humor has given way to more disquieting imagery. The hymnal-like "Flower Girl" begins: "Because there was no gold mine/I freed the dogs/And burned their sled/And I killed the guide/Asleep in bed." With a wheezing pump organ and an eerie operatic vocal hanging in the background like a ghost, it's reminiscent of Tom Waits. What hasn't changed is the quality of Henry's songs, which are served by the sonic trimmings rather than upstaged by them.
-- Chris Erikson