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**1/2 HONKEYBALL

(Summit)

Last year Boston's Honkeyball made the scene with a brutally livid slab of vinyl, a first-person homage to/from kung fu kingpin Bruce Lee. It was, and maybe still is, their signature tune -- tightly wound rhythms that exploded into a hectic, slammable frenzy when George Tsiaras matched them beat to beat with gruff vocal punctuation, detuned guitars grinding away. Honkeyball's first track, "Kemosabi," is a worthy sequel with a character straight out The Unforgiven and similarly delirious vocal and drum phrasings -- not to mention a production leap that fills out Tsiaras's mammoth guitar churn and drummer Eric O'Brien's crisp, urban sophistication (check the rolling Latin-esque drum fills).

The rest of the album's seven tracks are a tad uneven but show Honkeyball are willing to take the creative risks necessary to avoid becoming a one-trick pony. "Outpatient" is the most adventurous, with jagged discord bleeding into a warped sort of melody and finally into a bluster of thick power-chord certainty. And though Tsiaras may try a little too hard to make the lyrics rhyme, he rousts a few compelling images -- most notably on "Split," a short story with as much thematic tension as the music, claustrophobic and paranoid and charged with an uncanny, formless displacement.

-- Carly Carioli


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