December 14 - 21 , 1 9 9 5

| clubs by night | clubs directory | bands in town | reviews and features | concerts | hot links |

*** Iverson/Redman/Weidenmüller/Wills

SCHOOL WORK

(Mons)

Dewey Redman continues to confound. Flagrantly inconsistent, he can also be, as he is here, one of the great tenor saxophonists alive (and an unacknowledged influence on his more famous son Joshua). He moves in or outside chord changes at will, chugs along in a straight blues and then detours because he's found some nice fat, low note to riff off, which sends him spiraling upward. On "I Got It Bad," his hollowed-out old tree trunk of a tone goes beyond homage or nostalgia into a direct conversation with Ben Webster.

Redman was recruited to play on five of the 10 tracks here by a simpático young New York-based trio. Bassist Johannes Weidenmüller alternates between an appropriate Charlie Haden thickness of tone and upper-register fleetness, and drummer Falk Willis matches coloristic detail to every beat. On the trio-only numbers, pianist Ethan Iverson guides everyone through the tradition of freedom and lyricism created by Bill Evans and Paul Bley, sometimes adding a touch of German Romanticism. The covers are sharp -- Ellington, Ornette, Herbie Nichols, Charlie Parker, "Stella by Starlight" -- and Iverson custom-builds a beauty for Redman: "Dewey Eyed, Dewey Played."

-- Jon Garelick


| What's New | About the Phoenix | Home Page | Search | Feedback |
Copyright © 1995 The Phoenix Media/Communications Group. All rights reserved.