
	Eno again? The celebrated producer/synthesist/conceptualist has
taken this category nearly every year since we instituted it, and here he is
again -- most likely because of his general contribution to rock, rather than
because of anything specific that he did this year (unless it's a vote of
confidence for the forthcoming U2 album, due for summer release). In fact,
 recent years have found Eno working more often as an artist than as a producer.
During 1995, he made guest appearances on Laurie Anderson's The Ugly One
with the Jewels (Warner Bros.) and EBN's Telecommunication
Breakdown (TVT), while releasing two experimental, collaborative albums:
Spinner (Caroline) with Jah Wobble and Original Soundtracks I
(Island) with U2 (under the band name the Passengers). Each disc prompted a
mixed reaction, but none so mixed as Eno's one 1995 production: David Bowie's
Outside (Virgin), which a minority of Bowie fans (myself included) heard
as a return to form, but most dismissed as a weird sidetrip. Still, both that
album and the challenging Passengers disc are typical of Eno's career, which
has always been about creative risks rather than commercial strategies.
recent years have found Eno working more often as an artist than as a producer.
During 1995, he made guest appearances on Laurie Anderson's The Ugly One
with the Jewels (Warner Bros.) and EBN's Telecommunication
Breakdown (TVT), while releasing two experimental, collaborative albums:
Spinner (Caroline) with Jah Wobble and Original Soundtracks I
(Island) with U2 (under the band name the Passengers). Each disc prompted a
mixed reaction, but none so mixed as Eno's one 1995 production: David Bowie's
Outside (Virgin), which a minority of Bowie fans (myself included) heard
as a return to form, but most dismissed as a weird sidetrip. Still, both that
album and the challenging Passengers disc are typical of Eno's career, which
has always been about creative risks rather than commercial strategies.
-- Brett Milano