The riot grrrl eruption of the '90s seemed to fizzle in the face of
overwhelming media hype, but its legacy of grassroots punk-rock-associated
feminist activism has survived as a blueprint for young women unwilling to take
the world around them as they see it. And perhaps it shouldn't be surprising --
as a Republican administration enters Washington for the first time since
before almost anyone knew what a Nirvana or a Bikini Kill was, and as big,
dumb, macho rap rock rules even "alternative" radio stations -- that another
generation of young women is looking to the riot grrrl model of
self-empowerment. Enter a new young "feminist art and activism collective" from
Boston calling themselves Anonymous Girls and planning to hold their first
women's art-and-music showcase next Friday at Simmons College's Alumnae Hall,
with a line-up headed by K Records/Mr. Lady artist Sarah Dougher.
Although at this point the enigmatic Anonymous Girls co-op amounts to little
more than a manifesto, a Web site, a few friends, and an e-mail address, it's
precisely this sort of initiative that sparks forward motion. The A-Girls take
the position that women artists, musicians, writers, and poets are undervalued
in Boston, and that venues for the display of art and music are in short
supply. "The meaning behind the name," reads a message on their ass-kicking Web
site, "is that unless there's some kind of kick in the ass to push us into the
forefront, we're as anonymous as anything else. We plan on being a sort of kick
in the ass: a kick in the ass for the Boston area, for all those people who
feel they have to move to other cities to see stuff happen. A kick in the ass
to get girl art exposed. A kick in the ass to push down anyone who says `It
can't be done!' "
It's true that alternative and independent venues have had a rocky history in
Boston of late. The Bad Girrls Studio attempted to stage poetry, music, and
gallery events under one roof in Jamaica Plain but was closed down after a
litany of complications including fire-code and liquor-license citations and an
unsupportive landlord. But it was a happening place for a while, full of Mass
Art grads and busy young artists and performers, and it proved that there's an
audience for new, young, exuberant voices.
It's fitting that the Anonymous Girls' first event includes Dougher, a veteran
of the Northwest scene that spawned labels like K Records and Kill Rock Stars
and riot grrrl itself. She's played with groups including the Lookers, the
Crabs, and Cadallaca (with Sleater-Kinney's Corin Tucker); her acclaimed second
album, Walls Ablaze, was released last year. She's also an academic with
a PhD in comparative literature, an educator who's taught Greek and Roman lit,
and the author, with artist Nikki McClure, of Sent Out on the Tracks They
Built: Sinophobia in Olympia, 1886, a tract on racism and railroad building
in Washington state. In short, she's a keen example of the kind of enlightened
activist/artist that riot grrrl helped to spawn.
The Anonymous Girls showcase also includes performances by Boston's the Kitty
Kill, the Mass Art Women's Spoken Word Poetry Group, indie-poppers the
Operators, a baton-twirling performance artist, and a bushel of artists, poets,
and writers. All of whom will perhaps be a little less anonymous by day's
end.
Anonymous Girls' "Women's Art and Music Showcase" begins at 5 p.m. next
Friday, January 26, at Simmons College's Alumnae Hall. Admission is $5. For
more info, call 598-1046, extension 1763, or visit
www.liquid2k.com/anonymousgirls.
-- Peg Aloi