The Boston Phoenix
January 18 - 25, 2001

[Future Events]
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BIG SCREEN

The biggest, actually, in New England, and it belongs to the Wang Center, which this year is expanding its annual "Classic Film Series" from a spring fling to a year-round presence after the infusion of some dot-com sponsorship money. Presented in thematic chunks throughout the year, the offerings will include a Saturday sci-fi series with Terminator, Alien, and The Road Warrior, a Harrison Ford fest (tentatively scheduled for June) featuring Blade Runner, Raiders of the Lost Ark, and, uh, Working Girl, and kid-oriented "Mini Monster Matinees" including Ghostbusters, E.T., Gremlins, and the epic Gen-Y touchstone Goonies. But things get started this spring with five faves: Braveheart (on March 5), Casablanca (April 2), The Silence of the Lambs (April 16), Some Like It Hot (May 7), and A Streetcar Named Desire (May 21). All films screen at the Wang Theatre, 270 Tremont Street. For ticket info, call (800) 447-7400, or for schedule info call the Wang at 482-9393.

POETS AND PLAYWRIGHTS

With Arthur Miller still around it would probably be dangerous to call Tony Kushner America's greatest living playwright. But he's right up there. The Pulitzer-winning gay Jewish socialist author of Angels in America meets recent US Poet Laureate Robert Pinsky for an unusual encounter at Northeastern University next month. Pinsky hosts "An Evening with Tony Kushner: Readings and Conversation" at Northeastern's Blackman Auditorium, 360 Huntington Avenue, on February 2 at 7:30 p.m.; they're promising heavyweight intellect, wit, and profundity, with a Q&A to follow. Tickets are $15; call 373-2247.


[Next Weekend]

Anonymous Girls

The riot grrrl eruption of the '90s seemed to fizzle in the face of overwhelming media hype, but its legacy of grassroots punk-rock-associated feminist activism has survived as a blueprint for young women unwilling to take the world around them as they see it. And perhaps it shouldn't be surprising -- as a Republican administration enters Washington for the first time since before almost anyone knew what a Nirvana or a Bikini Kill was, and as big, dumb, macho rap rock rules even "alternative" radio stations -- that another generation of young women is looking to the riot grrrl model of self-empowerment. Enter a new young "feminist art and activism collective" from Boston calling themselves Anonymous Girls and planning to hold their first women's art-and-music showcase next Friday at Simmons College's Alumnae Hall, with a line-up headed by K Records/Mr. Lady artist Sarah Dougher.

Although at this point the enigmatic Anonymous Girls co-op amounts to little more than a manifesto, a Web site, a few friends, and an e-mail address, it's precisely this sort of initiative that sparks forward motion. The A-Girls take the position that women artists, musicians, writers, and poets are undervalued in Boston, and that venues for the display of art and music are in short supply. "The meaning behind the name," reads a message on their ass-kicking Web site, "is that unless there's some kind of kick in the ass to push us into the forefront, we're as anonymous as anything else. We plan on being a sort of kick in the ass: a kick in the ass for the Boston area, for all those people who feel they have to move to other cities to see stuff happen. A kick in the ass to get girl art exposed. A kick in the ass to push down anyone who says `It can't be done!' "

It's true that alternative and independent venues have had a rocky history in Boston of late. The Bad Girrls Studio attempted to stage poetry, music, and gallery events under one roof in Jamaica Plain but was closed down after a litany of complications including fire-code and liquor-license citations and an unsupportive landlord. But it was a happening place for a while, full of Mass Art grads and busy young artists and performers, and it proved that there's an audience for new, young, exuberant voices.

It's fitting that the Anonymous Girls' first event includes Dougher, a veteran of the Northwest scene that spawned labels like K Records and Kill Rock Stars and riot grrrl itself. She's played with groups including the Lookers, the Crabs, and Cadallaca (with Sleater-Kinney's Corin Tucker); her acclaimed second album, Walls Ablaze, was released last year. She's also an academic with a PhD in comparative literature, an educator who's taught Greek and Roman lit, and the author, with artist Nikki McClure, of Sent Out on the Tracks They Built: Sinophobia in Olympia, 1886, a tract on racism and railroad building in Washington state. In short, she's a keen example of the kind of enlightened activist/artist that riot grrrl helped to spawn.

The Anonymous Girls showcase also includes performances by Boston's the Kitty Kill, the Mass Art Women's Spoken Word Poetry Group, indie-poppers the Operators, a baton-twirling performance artist, and a bushel of artists, poets, and writers. All of whom will perhaps be a little less anonymous by day's end.

Anonymous Girls' "Women's Art and Music Showcase" begins at 5 p.m. next Friday, January 26, at Simmons College's Alumnae Hall. Admission is $5. For more info, call 598-1046, extension 1763, or visit www.liquid2k.com/anonymousgirls.

-- Peg Aloi
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