A . . . MY NAME WILL ALWAYS BE ALICE Andrew Volkoff, associate artistic director of Julianne Boyd's Barrington Stage Company, directs the Boston premiere of this "women's musical revue" conceived by Boyd and Joan Micklin Silver. A con?ation of the duo's earlier A . . . My Name Is Alice and A . . . My Name Is Still Alice, the "bawdy and insightful" show, which boasts numbers by an array of writers and composers, won an Outer Critics' Circle Award for Best Musical. The talented Boston cast includes Jacqui Parker, Maryann Zschau, Mary Callanan, Sarah deLima, and Corinne Dekker. At the Lyric Stage Company of Boston, 140 Clarendon Street, Boston (437-7172), October 20 through November 18. Curtain is at 7:30 p.m. on Wednesday and Thursday, at 8 p.m. on Friday, at 4 and 8 p.m. on Saturday, and at 3 p.m. on Sunday. Tix $20 to $36. Lyric Stage Company ANNIE GET YOUR GUN Stage, screen, and TV (Taxi, Evening Shade) star Marilu Henner and Tom (The Dukes of Hazzard) Wopat star in the touring version of the recent Broadway revival of the Irving Berlin musical about Annie Oakley ropin' fellow sharpshooter Frank Butler in the days of the Wild West Show. The 1946 musical is best known for its score, which includes "There's No Business Like Show Business" and "Doin' What Comes Natur'lly." Direction is by Jeff Calhoun. At the Wang Theatre, 270 Tremont Street, Boston (800-447-7400), October 31 through November 5. Curtain is at 8 p.m. Tuesday through Friday (excepting Thursday at 7:30 p.m.), at 2 and 8 p.m. on Saturday, and at 1 and 7 p.m. on Sunday. Tix $28.50 to $70. Wang Theatre THE BAD SEED Ryan Landry and the Gold Dust Orphans, soon to quit staid Boston, go out with Landry's adaptation of Maxwell Anderson's 1954 squealer (itself an adaptation of a novel by William March) about a murderous little girl. "Sweet, neat, petite," Rhoda Penmark is "everything an eight-year-old should be. But make her mad. And she's MURDER." James Byrne directs a cast that includes Landry (though not, we're sorry to say, as the title character), in what remains "an alarming commentary on society's expectations of children as 'innocents' as well as a really 'fun' little story sure to scare the shit outta' ya." At the Dollhouse Theatre, 731 Harrison Avenue, Boston (266-8511), through November 25. Curtain is at 8 p.m. Thursday through Saturday. Tix $20. Dollhouse Theatre BAGGAGE. Six "performance collage works" by Marjorie Morgan in which the artist uses "zany characters and a rich blend of movement, text, and original music" to explore themes ranging from "Love and Led Zeppelin to 'the beauty of being backwards.' " Also on the bill is a solo dance by Deborah Hay. At Mobius, 354 Congress Street, Boston (542-7416), October 28 and 29. Curtain is at 1 and 3 p.m. Tix $10; $8 for seniors, students, and Friends of Mobius. BASH: LATTERDAY PLAYS TheatreZone offers the Boston premiere of ?lmmaker Neil (In the Company of Men, Nurse Betty) LaBute's disturbing triple bill of one-acts, which made its Off Broadway debut last year with Calista Flockhart and Paul Rudd in the cast. LaBute succeeds better in the short-play format than he does in his ?lms at the matter-of-fact presentation of horror. The revelation that each of the protagonists of Bash - a deadly-dull businessman, a goody-two-shoes Mormon college student, and a lumpen unwed mother - is guilty of monstrosity opens up visions of a disorder both private and universal. And the acting - by Michael Capelli, Nathaniel Macintyre, Lara T. Hakeem, and Danielle DiDio, under Danielle Fauteux Jacques's direction - makes the work even more compelling. At the Actors Workshop, 40 Boylston Street, Boston (887-2336), through October 28. Curtain is at 8 p.m. on Friday and Saturday. Tix $10 in advance, $12 at the door. Actors Workshop THE BEAUTY QUEEN OF LEENANE Elliot Norton Award winner Eric Engel directs the Boston premiere of hot Irish dramatist Martin McDonagh's Tony-winning 1996 tragicomedy set in County Galway. A battle between 40-year-old spinster Maureen and her manipulative hag of a mom, Mag, the play features Mary Klug and Susanne Nitter as the black-comic combatants. Presented by Súgán Theatre Company at the Boston Center for the Arts, 539 Tremont Street, Boston (426-2787), November 2 through 18. Curtain is at 8 p.m. Wednesday through Friday, at 2 p.m. (November 4 and 18 only) and 8 p.m. on Saturday, and at 3 p.m. on Sunday. Tix $18 to $23; discounts for seniors and students. Boston Center for the Arts BERLIN TO BROADWAY: A CELEBRATION OF THE LIFE AND MUSIC OF KURT WEILL Emerson Stage presents an evening of dramatic songs by Kurt Weill, with lyrics by such greats as Bertolt Brecht, Ira Gershwin, and Langston Hughes. Direction is by Maureen Shea; musical direction is by Scott Wheeler. At the Brimmer Studio Theatre, 69 Brimmer Street, Boston (824-8000), through October 29. Curtain is at 8 p.m. on Thursday and Friday and at 2 p.m. on Saturday and Sunday. Tix $10; $7 for Pro-Arts students and children under 12. Brimmer Studio Theatre BLUE MAN GROUP It would be dif?cult and unfair to try to catalogue all the antics of the Drama Desk Award-winning trio of cobalt-painted bald pates who have settled into long runs Off Broadway and at the Charles Playhouse. They begin their delightful and deafening evening of anti-performance art beating drums that are also deep buckets of paint, so that sprays of color jump from the instruments like breaking surf, and end by engul?ng the spectators in tangles of toilet paper. Go experience it. At the Charles Playhouse, 74 Warrenton Street, Boston (426-6912), inde?nitely. Curtain is at 8 p.m. on Wednesday and Thursday; at 7 and 10 p.m. on Friday; at 4, 7, and 10 p.m. on Saturday; and at 3 and 6 p.m. on Sunday. Tix $39 to $49; $19.75 obstructed-view seating; available at box of?ce and Bostix day of performance. Charles Playhouse THE BOSTON PLAYS Greg Smucker directs this Centastage program of six short plays by Boston playwrights - which prove the adage that short is sweet. The line-up: Bill Lattanzi's tongue-in-cheek My Way, about a guy who only thinks he's in charge; Janet Kenney's deceptively simple What Mother Knows, a porch-sitter about a nagging mom and her sullen daughter; Michael Bettencourt's Pinteresque Click, about a confession of violence; Ginger Lazarus's Arrhythmia, a pillow-talk chat between a doc and his long-suffering mistress about the mysteries - and mundane realities - of the human heart; and Joe Byers's The Piney Boy, about a young couple who inadvertently run over a child. Only Dean O'Donnell's Legwork, a would-be-Sleuth-like piece about a bill collector training an apprentice in the ruthless rules of the trade, seems under-rehearsed and under-compelling. At the Boston Center for the Arts, 539 Tremont Street, Boston (426-2787), through October 28. Curtain is at 8 p.m. on Thursday and Friday and at 2 and 8 p.m. on Saturday. Tix $20.50; discounts for seniors and students. Boston Center for the Arts BUNICCULA Emerson Stage presents Jon Klein's stage adaptation of Deborah and James Howe's popular children's novel about "a vampire rabbit that sucks the juices out of vegetables and the family that adopts him." Robert Colby directs. At the Emerson Majestic Theatre, 219 Tremont Street, Boston (824-8000), November 4 through 12. Curtain is at 2 p.m. on Saturday and Sunday. Tix $12; $6 for Pro-Arts students and children under 12. Emerson Majestic Theatre CENTASTAGE PLAYS BEFORE STAGE Write On!, Centastage's script-development forum, and the BPL present an evening of staged readings of new works by Boston playwrights. On the bill are Janet Kenney's The Way a Tulip Fades, about a woman who's been scorched beyond recognition and what she has to say to the ?reman who saved her life; Patrick Brennan's Open Source, in which "a trio of geeks discover that even though code is complicated, it's got nothing on love"; Peter Gordon's Sally, which "looks at how traditional 'family values' distort and devalue the creative potential of women"; and Lin Haire-Sergeant's Green Pastures, about a doorbell-ringing evangelist who may have more than religious conversion on his mind. At the South Boston Branch of the Boston Public Library, 646 East Broadway, South Boston (268-0180), October 30, from 6 to 8 p.m. Free and open to the public. Boston Public Library CHILDREN OF EDEN The MIT Musical Theatre Guild takes on Stephen (Godspell) Schwartz's latest Biblical musical, a retelling of Genesis featuring God as the ?rst single parent. At the Student Center's Sala de Puerto Rico, 84 Massachusetts Avenue, Cambridge (253-6294), November 3 through 5. Curtain is at 8 p.m. on Friday and Saturday and at 2 p.m. on Sunday. Tix $9; $8 for seniors, MIT faculty/staff, and students; $6 for MIT/Wellesley students. Sala de Puerto Rico THE COUNTESS Daniel Gidron directs the New England premiere of this unlikely Off Broadway hit. Gregory Murphy's ?rst play is rooted in "one of the most notorious scandals of the 19th century: a Victorian-era love triangle involving the famed art critic John Ruskin, his wife Ef?e, and John Everett Millais, a child prodigy in art and a Ruskin protégé." Presented by the Nora Theatre Company at the Boston Playwrights' Theatre, 949 Commonwealth Avenue, Boston (491-2026), through November 5. Curtain is at 7:30 p.m. on Thursday, at 8 p.m. on Friday and Saturday, and at 2 and 7 p.m. on Sunday. Tix $22 to $25; $17 for seniors and students with ID, except on Saturday evening. Boston Playwrights' Theatre DANNY AND THE DEEP BLUE SEA Off Broadway vet Richard Smithies is at the helm of what is being billed as the Boston premiere of John Patrick (Moonstruck) Shanley's 1984 drama of violence-prone lovers. Danny Venezia and Linda Newton are featured. Presented by From the Heart Productions at the Institute of Contemporary Art Theater, 955 Boylston Street, Boston (931-2787), October 25 through November 19. Curtain is at 8 p.m. Wednesday through Saturday and at 3 p.m. on Sunday. Tix $21. Institute of Contemporary Art Theater DINNER WITH FRIENDS The Boston premiere of Donald Margulies's 2000 Pulitzer Prize-winning play, "a rueful comedy which tells the story of two fortysomething couples whose relationship is fractured when one announces divorce." Directed by Daniel Sullivan, who helmed the successful New York production, the touring production features Dana Delany of China Beach fame, Theater World Award winner Kevin Kilner (reprising his Off Broadway role), Daniel Stern, whose ?lms include Breaking Away and Diner, and stage and ?lm (Sleepless in Seattle) actress Rita Wilson. At the Wilbur Theatre, 246 Tremont Street, Boston (931-2787), November 4 through 19. Curtain is at 8 p.m. Tuesday through Friday (excepting November 8, at 7 p.m.), at 2 and 8 p.m. on Saturday, and at 2 and 7:30 p.m. on Sunday. Tix $25 to $68.50. Wilbur Theatre DRIFTING ELEGANT The New Repertory Theatre/Brandeis University Theatre Project presents a new play by Stephen Belber "about tangled relationships among young, big-city professionals as they hold onto their ideals" that's designed and performed by recent graduates of the MFA Acting-Design program at Brandeis. Michael Murray directs. At New Repertory Theatre, 54 Lincoln Street, Newton Highlands (332-1646), through October 29. Curtain is at 8 p.m. on Friday, at 4:30 and 8:30 p.m. on Saturday, and at 3 and 7:30 p.m. on Sunday. Tix $18; $15 for seniors, students, and subscribers. New Repertory Theatre EVITA Don't cry for her, Winthrop Playmakers. Ron Godfrey directs the best musical by Andrew Lloyd Webber and Tim Rice, about Argentina's Eva Perón. At the Playhouse, 60 Hermon Street, Winthrop (539-1175), November 3 through 18. Curtain is at 8 p.m. on Friday and Saturday and at 5 p.m. on Sunday. Tix $15; $12 for seniors and students. Playhouse A FAIR COUNTRY Anna D. Shapiro, of Chicago's Steppenwolf Theatre Company, is at the helm of Jon Robin (The Substance of Fire) Baitz's 1997 play about an American family living in South Africa in 1977 and their "struggle to keep their tenuous ties to each other in the face of emotional and political turmoil. Surrounded by violence and longing for escape, they ?nd themselves becoming increasingly corrupted by the apartheid system they oppose." The cast includes Broadway veterans Pamela Payton-Wright and Frank Converse. Presented by the Huntington Theatre Company at the Boston University Theatre, 264 Huntington Avenue, Boston (266-0800), October 27 through November 26. Curtain is at 7:30 p.m. Tuesday through Thursday (excepting November 14 and 23), at 8 p.m. on Friday, at 2 and 8 p.m. on Saturday, and at 2 p.m. and 7 p.m. (evening performance October 29 and November 5 only) on Sunday. There are no weekend matinees on October 28 and 29, but there are Wednesday 2 p.m. matinees on November 15 and 22. Tix $12 to $55. Huntington Theatre Company THE FALSTAFFIAD Big-time scholar Harold Bloom, author of Shakespeare: The Invention of the Human among other tomes, de?es his own dictum that the Bard should be read and not seen by starring as "his alter ego, Sir John Falstaff" in a staged reading of this con?ation of Henry IV, Parts 1 and 2, and Henry V. The single-evening-size celebration of "the beloved corpulent knight" is the work of Bloom and director Karen Coonrod. Bloom (whose performance is being dubbed "his acting debut - or debacle") will be joined in the reading by members of the American Repertory Theatre company, students of the ART/MXAT Institute for Advanced Theatre Training, and Harvard undergraduates. At the Zero Street Performance Space, Zero Church Street, Cambridge (547-8300), October 30. Curtain is at 7:30 p.m. Tix $50, proceeds to bene?t the ART/MXAT Institute Scholarship Fund. Zero Street Performance Space FIDDLER ON THE ROOF Tevye's back, wishing he were a rich man, in the classic 1964 musical based on stories of Sholom Aleichem, with book by Joseph Stein, music by Jerry Bock, and lyrics by Sheldon Harnick. Broadway and television actor Lenny Wolpe stars. At the North Shore Music Theatre, 62 Dunham Road, Beverly (978-232-7200), October 31 through November 19. Curtain is at 8 p.m. Tuesday through Friday (Tuesday November 7 it's at 7 p.m., and there are Wednesday matinees at 2 p.m.), at 2 and 8 p.m. on Saturday, and at 2 p.m. on Sunday. Tix $38 to $56; discounts for seniors, students, and children. North Shore Music Theatre FLYING AND FLOWING: HORIZONTAL AND VERTICAL A performance piece by D. Franklin and Milan Kohout, both of the Mobius Artists Group. "Franklin, a video and performance artist, and Kohout, a performance artist and political activist, examine issues of social inequality and status in a series of humorous and provocative vignettes" that use voice, movement, spoken word, and video projections "to delineate the symbolic meaning of 'horizontal' and 'vertical.' " At Mobius, 354 Congress Street, Boston (542-7416), through November 4. Curtain is at 8 p.m. Thursday through Saturday (no Thursday performance November 2). Tix $9; $5 for seniors, students, and Friends of Mobius; special arrangements for those unable to pay. Mobius FUDDY MEERS SpeakEasy Stage Company presents the Boston premiere of South Boston native David Lindsay-Abaire's Off Broadway hit about a woman whose strange brand of amnesia causes her to wake every morning needing to have her life re-explained to her. The play aspires to be a contemporary comedy with teeth, but Lindsay-Abaire confounds the mystery inherent in his theme - cutting to the truth beneath the amnesia - by subjecting it to a broad, farcical treatment. The piece devolves into one of those nutty nuclear-family comedies in which each eccentric, dysfunctional member is a ticking time bomb waiting to go off. Still, Eric Engel helms a crisp, rollicking production in which Thomas Derrah provides the most hilarious moments as Millet, a schizoid prison escapee with an unnatural attachment to a sock puppet. And Susan Zeeman Rogers picks up on the play's lost-in-the-funhouse metaphor for the central character's disoriented identity and builds it into her clever set design. At the Boston Center for the Arts, 539 Tremont Street, Boston (426-2787), through October 28. Curtain is at 8 p.m. on Thursday and Friday and at 2 and 8 p.m. on Saturday. Tix $22 to $25; $19 to $22 for seniors and students. Boston Center for the Arts FUNNY GIRL Keith Grassette directs the hit 1964 musical about famed vaudevillean Fanny Brice. The memorable score is by Jule Styne; the show made Barbra Streisand a star. Presented by Riverside Theatre Works at French's Opera House, 45 Fairmount Avenue, Hyde Park (361-7024), through October 28. Curtain is at 8 p.m. on Friday and Saturday. Tix $18. Riverside Theatre Works HELLO, DOLLY! The Wheelock Family Theatre launches its 20th-anniversary season with the popular Jerry Herman musical based on Thornton Wilder's The Matchmaker. Jane Staab directs a strong cast that includes Robin V. Allison, Robert Saoud, and Grace Napier. At Wheelock Family Theatre, 180 the Riverway, Boston (879-2147), November 3 through 26. Curtain is at 7:30 p.m. on Friday and at 3 p.m. on Saturday and Sunday. Tix $10 to $17. Wheelock Family Theatre I LOVE YOU, YOU'RE PERFECT, NOW CHANGE The newly named Stuart Street Playhouse (formerly the 57 Theatre) announces itself with the Boston premiere of this long-running Off Broadway hit described as "Seinfeld set to music." "And sprinkled with saccharine," one might add, since I Love You is less quirky and more lovy-dovy than Seinfeld. The musical tour of heterosexual romance, with an enjoyable pastiche of songs by Jimmy Roberts and clever lyrics by Joe DiPietro, is a lot of fun, though. And the talented cast - Chip Phillips, Kathy St. George, Amy White, and Adam Hunter, under the savvy direction of Joel Bishoff - puts it across with brio. The excellent musicians are Kim Douglas Steiner on piano and Heidi Braun-Hill on violin. At the Stuart Street Playhouse, 200 Stuart Street, Boston (800-447-7400), inde?nitely. Curtain is at 8 p.m. Tuesday through Friday, at 5 and 8:30 p.m. on Saturday, and at 3 and 7 p.m. on Sunday. Tix $25 to $45. Stuart Street Playhouse IMPROV ASYLUM Voted Best Comedy Club by the 1998 Boston Phoenix Readers' Poll. At the Improv Asylum, 216 Hanover Street, Boston (263-6887), inde?nitely. Curtain is at 8 p.m. on Thursday and at 8 and 10 p.m. on Friday and Saturday. Tix $10 to $15; two-for-one with college ID on Thursday; $2 discount with college ID all other shows. Improv Asylum JERRY FINNEGAN'S SISTER Massachusetts playwright Jack Neary directs his own comedy, which "follows Brian Dowd and 'girl next door' Beth Finnegan, who has been the object of Brian's affection and frustration since he was seven years old. Sixteen years later, he ?nally does something about it." Presented by the Worcester Foothills Theatre Company on the Courtyard off Commercial Street, adjacent to the Worcester Common Outlets, Worcester (508-754-4018), through November 19. Curtain is at 2 p.m. on Wednesday, at 2 and 8 p.m. on Thursday, at 8 p.m. on Friday, at 4 and 8:30 p.m. on Saturday, and at 2 and 7 p.m. on Sunday (no evening performance November 19). Tix $19.50 to $25. Worcester Common Outlets LIOLŔ According to the Theatre Department at Holy Cross, this Luigi Pirandello play has never been performed professionally in the US, or even at the college level. The plot of the Sicilian playwright's romantic comedy has a young man taking action when he sees his old girlfriend being abused by her husband; the Holy Cross cast "is learning to sing in Sicilian and master the Italian folk dances and challenging dialogue." Presented by the Theatre Department in Fenwick Theatre at Holy Cross, Worcester (508-793-2496), through November 10. Curtain is at 8 p.m. Thursday through Saturday. Tickets $10; $7 for the Holy Cross community. Holy Cross LONG DAY'S JOURNEY INTO NIGHT Delvena Theatre Company takes on Eugene O'Neill's autobiographical masterpiece, with Sean David Bennett directing Ed Sorrell, Lynne Moulton, Tom Berry, and Doug Rainey as the tortured Tyrones. At the Boston Center for the Arts, 539 Tremont Street, Boston (426-2787), November 1 through 19. Curtain is at 7:30 p.m. on Wednesday and Thursday, at 8 p.m. on Friday, at 2 and 8 p.m. on Saturday, and at 2 p.m. on Sunday. Tix $18; $15 for seniors, students, and children 12 and under. Boston Center for the Arts MACBETH Artistic director Michael Wilson is at the helm of this staging of Shakespeare's lean, mean "Scottish play." The production features Emmy winner Denis O'Hare as the bloody thane and the talented Stephanie Roth Haberle, who spent several seasons at the American Repertory Theatre, as his ambitious Mrs. At Hartford Stage, 50 Church Street, Hartford, Connecticut (860-527-5151), through November 10. Curtain is at 7:30 p.m. Tuesday through Thursday (with 2 p.m. matinees on Wednesday and selected Thursdays), at 8 p.m. on Friday, at 2:30 p.m. (selected dates) and 8 p.m. on Saturday, and at 2:30 and 7:30 p.m. on Sunday. Tix $20 to $55. Hartford Stage THE MERRY WIVES OF WINDSOR Anthony Cornish directs this student production of Shakespeare's one suburban Elizabethan comedy. "Set in a modern (and maybe familiar) small town, this famed tale featuring the famed Falstaff pokes fun at our friends, our neighbors, and ourselves." At the Tufts Balch Arena Theater on Tufts University's Medford/Somerville campus (627-3493), through November 4. Curtain is at 8 p.m. Thursday through Saturday. Tix $10; $6 for seniors; $5 for students with Tufts ID. Tufts Balch Arena Theater MISERY Red Head Productions presents the stage adaptation of Stephen King's novel about an injured novelist who meets the fan from Hell. An ax-wielding Kathy Bates won an Oscar for the ?lm version. At the Firehouse Center for the Performing Arts, Market Square, Newburyport (978-462-7336), through November 5. Curtain is at 8 p.m. Thursday through Saturday and at 3 p.m. on Sunday. Tix $14 to $18; $12 to $16 for seniors and students; all tix $11 on Thursday. Firehouse Center for the Performing Arts MUSICAL THE MUSICAL Stephen Gilbane directs this ambitious improv adventure, in which the audience supplies a story and a cast of singers and musicians turns it into a full-?edged, two-act, Broadway-style musical. At the Works Theater, 255 Elm Street, Davis Square, Somerville (923-8835), through October 28. Curtain is at 8 p.m. on Friday and Saturday. Tix $15; $12 for seniors and students. Works Theater NOCTURNE American Repertory Theatre New Stages presents the world premiere of a painful yet lyrical and hypnotic new play by novelist-turned-dramatist Adam Rapp. A journey through grief, navigated by a young man who inadvertently killed his sister, the piece is written in a visceral, poetic language that both objecti?es and cuts to the quick of human emotion. The wordy nature of the work, which was originally written as a monologue, is ameliorated by Marcus Stern's surreal production. And newcomer Dallas Roberts give a heartbreaking performance as the narrator. At the Hasty Pudding Theatre, 12 Holyoke Street, Cambridge (547-8300), through November 5. Curtain is at 8 p.m. on Tuesday, Thursday, and Friday, at 2 and 8 p.m. on Saturday, and at 2 and 7 p.m. on Sunday. Ticket prices are $25 and $35.Tix $25 to $35. Hasty Pudding Theatre ONE FLEW OVER THE CUCKOO'S NEST Seacoast Repertory Theatre revives Dale Wasserman's play about a recalcitrant asylum inmate (the ?lm role won Jack Nicholson an Oscar) who puts up a hell of a ?ght against the forces of conformity and one very mean nurse. At Seacoast Repertory Theatre, 125 Bow Street, Portsmouth, New Hampshire (603-433-4472 or 800-639-7650), November 2 through December 3. Curtain is at 7:30 p.m. on Thursday, at 8 p.m. on Friday, at 4 and 8 p.m. on Saturday, and at 3 p.m. on Sunday. Tix $18 to $25; discounts for seniors, students, and children. Seacoast Repertory Theatre PLAYWRIGHTS' PLATFORM FALL 2000 READINGS The venerable Playwrights' Platform presents its annual fall reading series. November 5: John O'Brien workshop. At Mass College of Art, 621 Huntington Avenue, Boston (630-9704), through December 17. Curtain is at 7:30 p.m. on Sunday. Free and open to the public. Mass College of Art REQUIEM POUR SREBRENICA The Massachusetts International Festival of the Arts presents the American premiere of this Centre Dramatique National/Orléans-Loiret-Centre production of French multimedia artist and theater director Olivier Py's theater piece, a response to the 1995 Bosnian massacre. Billed as "a theatrically riveting meditation on the unfathomable terrors of war," the work features three actresses who perform a text culled from survivors' poems, essays, and news and medical reports, abetted by dramatic light and sound. The performance is in French, with English surtitles. At the C. Walsh Theatre, Suffolk University, 55 Temple Street, Boston (800-224-6432), November 2 through 4. Curtain is at 8 p.m. Tix $15 to $25; $15 for students with ID. Suffolk University RICE BOY Yale Repertory Theatre presents the world premiere of Canadian playwright (and Yale School of Drama playwriting grad) Sunil Kuruvilla's play. Liz Diamond directs the work, in which "a young boy named Tommy sits in a tree overlooking a world of memories and cross-cultural tales spanning the plains of Canada and 1975 India." At Yale Repertory Theatre, corner of Chapel and York Streets, New Haven, Connecticut (203-432-1234), through November 11. Curtain is at 7 p.m. on Monday, at 8 p.m. Tuesday through Friday (with a Wednesday 2 p.m. matinee on November 8), and at 2 and 8 p.m. on Saturday. Tix $10 to $36. Yale Repertory Theatre RICHARD III Kurt Lancaster is at the helm of this MIT Shakespeare Ensemble staging of Shakespeare's treatment of that irresistible villain Dick Crookback. At Kresge Little Theater, 48 Massachusetts Avenue, Cambridge (253-2903), November 2 through 11. Curtain is at 8 p.m. Thursday through Saturday. Tix $8; $6 for seniors and students with ID. Kresge Little Theater THE ROAD TO MECCA Athol Fugard's 1988 New York Drama Critics Circle Award-winning drama is set in South Africa's Karoo region, where a clergyman and young friend are battling over whether their elderly eccentric artist friend should be sent to a retirement home or allowed to retain her ?erce independence. At Portland Stage Company, 25A Forest Avenue, Portland, Maine (207-774-0465), October 31 through November 19. Curtain is at 7:30 p.m. on Tuesday (October 31 only), at 2 and 7:30 p.m. on Wednesday, at 7:30 p.m. on Thursday and Friday, at 4 and 8 p.m. on Saturday, and at 2 p.m. on Sunday. Tix $27 to $32; $20 for October 31 and November 1 and 2 previews; discounts for seniors; $12 for students with ID. Portland Stage Company SEVEN AFFIDAVITS ON AUTHORITY Betsy Carpenter's world-premiere production of Brandon Toropov's anxiety-edged suite of seven vignettes, recently presented in Boston by Theatrics! and Pet Brick Productions, tours to Providence. The plays run the gamut from the nearly realistic to the hallucinatory, and the cast jumps from extreme to extreme with alacrity. Here the show is presented by the New England Repertory Company at Bell Street Chapel, 5 Bell Street, Providence, Rhode Island, October 29. Curtain is at 3 and 8 p.m. Tix $10, at the door. Bell Street Chapel SHEAR MADNESS The dramatis personae of the audience-participation whodunit (which is now the longest-running non-musical in American theater history) continue to comb Newbury Street for the murderer of a classical pianist who lived over the unisex hair salon where the show is set. At the Charles Playhouse Stage II, 74 Warrenton Street, Boston (426-5225), inde?nitely. Curtain is at 8 p.m. Tuesday through Friday, at 6:30 and 9:30 p.m. on Saturday, and at 3 and 7:30 p.m. on Sunday. Tix $34. Charles Playhouse Stage II 'SO KAYE Cabaret artist John O'Neil performs songs associated with entertainer Danny Kaye, from Lady in the Dark and Hans Christian Andersen to Kaye's TV show. Jim Rice is at the piano. At the Cambridge Center for Adult Education, 56 Brattle Street, Cambridge (547-6789 extension 1), October 27. Curtain is at 8 p.m. Tix $12; $10 for BACA members. Cambridge Center for Adult Education THE SPOOKY LITTLE SHOW The Mrs. Potatohead Show duo of Margaret Ann Brady and Dorothy Dwyer, with "musical magician Lucy Holstedt," present "their Halloween treat bag of sketch, monologue, and musical offerings," including "a paean to the posthumously amorous, 'Down at the City Morgue.' " At the Charlestown Working Theatre, 442 Bunker Hill Street, Charlestown (781-648-5963), through October 28. Curtain is at 8 p.m. on Thursday and Friday and at 8 and 10 p.m. on Saturday. Tix $15; $12 for seniors and students. Charlestown Working Theatre WAITING FOR GODOT Kara Lynn Vaeni directs Samuel Beckett's absurdist masterpiece about two guys waiting for a God(ot) who doesn't show. At the Theatre Cooperative, 277 Broadway, Somerville (625-1300), through November 11. Curtain is at 8 p.m. Thursday through Saturday. Tix $15; $10 for seniors and students on Thursday. Theatre Cooperative A WALK IN THE WOODS Alex Dmitriev, former artistic director of the Toronto Center for the Arts, is at the helm of Lee Blessing's 1987 Broadway play. The title refers to a stroll taken in 1982 by two arms negotiators, an American and a Russian, who forged a nuclear-weapons agreement that was later rejected by their respective governments. "While the actual 'walk' reportedly dealt mostly with concrete proposals, the characters in A Walk in the Woods explore both larger and more personal aspects of the pressing issues." The cast includes Broadway veteran William Bogert and talented Boston-area actor and director Stephen Benson. At Merrimack Repertory Theatre, 50 East Merrimack Street, Lowell (978-454-3926), through November 19. Curtain is at 2 p.m. (November 1 only) and 8 p.m. on Wednesday, at 2 p.m. (November 16 only) and 8 p.m. on Thursday, at 8 p.m. on Friday, at 3 p.m. (October 28 only) and 8 p.m. on Saturday, and at 2 and 7 p.m. on Sunday (no evening performance November 19). Tix $20 to $34.50. Merrimack Repertory Theatre WALTZING AUSTRALIA: TALES FROM DOWN UNDER The QE2 Players present an evening of stories from Australia. Conceived by Australian actress Jennifer Jones, a QE2 founder, the program includes "Dreamtime legends from the Australian Aborigine heritage, stories from the bush of the early white settlers, songs and poetry of dinky-di Aussies, and modern, personal stories of growing up in Australia." Marie Jackson directs the piece, which features sets and masks by Jeanne Gugino and is performed by Jones. At Kaji Aso Studio, 40 St. Stephen Street, Boston (437-0978), through October 29. Curtain is at 8 p.m. on Friday and Saturday and at 7 p.m. on Sunday. Tix $10; $5 for seniors and students. Kaji Aso Studio WATCH YOUR STEP American Classics, a project of cabaret artists Benjamin Sears and Bradford Conner, presents a concert staging - and the Boston premiere - of Irving Berlin's very ?rst Broadway show, which was originally produced in 1914. The "plot is built around the will of Jabez Pennyfeather, who has decreed that his $2 million estate will only go to the heir - male or female - who has never 'been in love' "; the score features the Berlin standard "Simple Melody" and 19 other ragtime tunes. David Frieze directs a cast that includes Sears and Conner; musical direction is by Margaret Ulmer. In the Pickman Concert Hall at Longy School of Music, One Follen Street, Cambridge (824-8000), November 3 and 5. Curtain is at 8 p.m. on Friday and at 4 p.m. on Sunday. Tix $20; $15 for seniors and students. Longy School of Music WHO'S AFRAID OF VIRGINIA WOOLF? George and Martha square off again in Edward Albee's blistering but moving 1962 masterwork, a marital battle, with allegorical overtones, set in the groves of academe. Talented young Trinity Repertory Company Associate Artistic Director Amanda Dehnert directs the expert if exhausting revival, which takes place in a sparsely furnished arena where dead-ended history professor George and his braying college-president's-daughter wife, Martha, throw a booze-ridden late-night party for opportunistic new biologist Nick and his delicate cipher wife, Honey. The ?ght-night staging suits the play's arch, heightened realism, and the performances - by Anne Scurria as a formidable Martha and Brian McEleney as a piercing George, with Stephen Thorne and Tanya Anderson holding their own as Nick and Honey - are ?rst-rate. At Trinity Repertory Company, 201 Washington Street, Providence, Rhode Island (401-351-4242), through November 12. Curtain is at 7 p.m. on Tuesday (excepting October 31), at 8 p.m. Wednesday through Saturday, and at 2 and 7 p.m. on Sunday; there are additional 2 p.m. matinees on selected Wednesdays and Saturdays. Tix $26 to $38; discounts for seniors and students; half-price rush, subject to availability. Trinity Repertory Company THE YEAR OF THE BABY Perishable associate artistic director Vanessa Gilbert directs a new "play with songs" by Quincy Long. "Donna and Kenny are in love. She wants a baby. He's not so sure. She takes matters into her own hands and 'borrows' a baby. That's where the play hits the road at high speed and doesn't stop - until everyone has learned a little lesson about parenthood." Says the Village Voice: "The result is stranger and more wonderful than the structure would seem to allow." At Perishable Theatre, 95 Empire Street, Providence, Rhode Island (401-331-2695), October 28 through November 26. Curtain is at 7 p.m. on Thursday, at 8 p.m. on Friday and Saturday, and at 2 p.m. on Sunday (November 19 and 26 only). Tix $16; $13 for seniors and students; all tix $10 on Thursday. Perishable Theatre Flashbacks
The Boston Phoenix
February 10 - 17, 2000

[Features]

The Boston Phoenix has been covering the trends and events that shape our times since 1966. The following selections, culled from our back files, were compiled by Jumana Farouky.

Same old song
years ago:
February 10, 1995

As grunge gave way to "alternative," music writer Carly Carioli commented that the new bands were all starting to sound the same.

"Remember that old saying about how if you sat a thousand monkeys at a thousand typewriters and had them type at random for a thousand years, one of them would hand you the complete works of Shakespeare? Forget it; nobody reads him anyway. Now give those same monkeys guitars, and I bet a dozen of them start cranking out listenable punk pop by early next week . . . and get signed in time to open Lollapalooza '95. Show me four chords, a hummable melody, and politically correct lyrics that rhyme, and I'll show you the next Live. In fact, I'll show you the next three: Bush, Everclear, and Spell."





Wild and crazy guy
years ago:
February 9, 1990

Christopher Lloyd became famous for playing loonies on Taxi and in films such as One Flew over the Cuckoo's Nest and Back to the Future. While interviewing him about his more sedate role in the play The Father, theater editor Carolyn Clay discovered that the real Lloyd isn't so nuts.

"During the course of this talk, Lloyd doesn't so much throw in his two cents as intently absorb [director] Brustein's loose change; he seems to be the kind of actor who carefully considers everything. Answers do not so much spring forth as collect amid throat clearings. It seems a shame that such an introspective person should be assaulted on street corners -- as no doubt he is by fans, especially when negotiating places like Cambridge with his Back to the Future hair. . . . Even with the coiffure close-cropped and rumpled, he's recognized: `I could be wearing minstrel makeup and the people would say, "There's the guy." ' "





Color blind
years ago:
February 12, 1985

While Boston's media world was congratulating itself on its racial sensitivity, features writer Kathleen Hirsch's Racial Awareness Quiz pointed out that local newspapers were still in a state of blackout.

"1) What does the term 'Is it dark out there?' mean to reporters? 2) Name the first year a black face appeared on the front page of the Herald Traveler. 3) In 1982, who blamed blacks for having `cut the guts out of every major American city?' 4) Today, how many black reporters are employed at the three largest-circulation publications in Boston, outside of the Globe?

"We'll make this simple. Answers:

"1) Code word between Herald Traveler editors and reporters covering murders as late as 1968. If the answer was yes, reporters were told to return to the office. Dead blacks weren't news. 2) 1968. Before that, the editorial staff maintained that black faces wouldn't be distinct enough against any background to show up. 3) D. Herbert Lipson, publisher of Boston magazine, in an interview that appeared in the Boston Globe. 4) Zero."





Let the games not begin
years ago:
February 12, 1980

Sports editor Michael Gee prophesied hopefully that President Carter's boycott of the Moscow Olympics would end the games forever.

"With any luck at all, the Winter Olympics . . . will be the last Games ever held. . . . Many athletes, willingly or not, will be absent from the Moscow Olympics, and those who do compete and win will have triumphed in a spectacle arousing all the international interest of the Tucson Open. . . . In the future, the collapse of the `modern' Olympics may well be seen as a great event in sports history. For the Olympics are a fraud, a unique distillation of some of the worst aspects of amateurism, capitalism, socialism, and, above all, nationalism. Nowhere is this truer than in the United States."





To kill a president
years ago:
February 11, 1975

Reporting on the "Politics of Conspiracy" convention at BU, contributing editor Sid Blumenthal and books editor R.D. Rosen reflected on the political uses of assassination.

"The death of President Kennedy is no mere whodunit; the murder was perhaps the crucial event in recent American politics. JFK's tentative moves to establish détente with the Soviet Union, draw back from Vietnam involvement, and stifle CIA covert activity were superseded after his killing by a less ambiguous policy. The outcome of a decade of high-level murders has been Johnson, Nixon, and Ford. Assassination has become as important a part of the political process as presidential nominating conventions; the murders have effectively been nominations by proxy. This brutal transfer of power and the constellation of mysteries that surround it remain unresolved as America approaches its Bicentennial election."





Back in fashion
years ago:
February 11, 1970

Columnist Joanna Frix was ahead of her time in discovering "retro."

"The trend toward individuality . . . appears to be leading fashion into a healthy spirit of revitalization. Ironically enough, this new bend is actually a reflection of nostalgia for the past. The charisma of the age that produced genuine love goddesses of the Bette Davis, Joan Crawford, or Rita Hayworth ilk who could radiate sex with their clothes on to real he-men like Bogart, Gable, or Cagney had sold millions of posters and induced thousands of the inspired to search thrift shops and attics for remnants of that more confident age."





Where are they now?

Carly Carioli is events editor of the Boston Phoenix. Carolyn Clay is theater editor of the Boston Phoenix. Michael Gee is a sports columnist for the Boston Herald. Sid Blumenthal is a political consultant. R.D. Rosen is an award-winning mystery novelist.