By the book
Raise your knowledge while raising your glass
Uncorked by David Marglin
Plenty of people ask me, "What makes you a wine writer?" The most important
thing, of course, is drinking -- lots of different wines, in lots of different
settings, with lots of different people. As the great winemaker and writer
Alexis Lichine (author of the influential Wines of France, first
published in 1951) used to say, "There's no substitute for popping corks."
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But to get a really broad understanding about the vast world of wine, you need
to read. If you already read a lot about wine (and hey, here you are), then
some of these books may interest you. If you don't, then maybe now is the time
to get started. And one of the beautiful things about wine is how much there is
to learn.
My favorite wine writer is an Englishman, Oz Clarke, who is in his spare time
(and wine writers tend to lead dual lives) an actor and singer. Clarke
publishes a yearly wine guide, The Essential Wine Book (Fireside, 1998,
$21), which gives sage advice about what's available now and
how much it costs.
Oz -- I don't know him, but I feel as though I do -- has two other important
books on the market. Both are out of print, but you can find them through
used-book sellers. The first, Oz Clarke's Encyclopedia of Wine (Simon
and Schuster, 1993, $35), is a comprehensive and user-friendly resource. It's
bold, packed with useful information, and unabashedly subjective. (An entry
might begin, "This is the best red wine of the Loire Valley.") It covers the
world, and to me, it is essential. Less essential, but perhaps more
fascinating, is Oz Clarke's New Classic Wines (Simon and Schuster, 1991,
$30), an in-depth look at 69 wineries (and one region), most from America and
the antipodean lands of Australia and New Zealand. It features interviews,
commentary, and wonderful anecdotes: in short, it's about the people who make
wine.
One writer who used to have a similar focus is the New York Times'
Frank J. Prial, sort of the deacon of American wine writers -- only Robert
M. Parker Jr. is more influential. An out-of-print book, Wine
Talk (a collection of his "Wine Talk" columns from the '70s; it was
published in 1978 by Times Books), is all about people who make great wine.
Although I still try to read Prial's column in the Times every week, it
is a shadow of its former brilliance, so if you ever see this book, throw down
the cash to own it.
The true guru nowadays, and the most influential wine person on the planet,
is Parker. His ratings send
wine prices
soaring, and it was he who first
made the call that 1982 might be one of the greatest years ever in
Bordeaux. If
Parker gives a wine 90-plus points, then it will sell. The man likes his wines
massive and fruity; Parker, many believe, single-handedly instigated the
renaissance of Rhône-valley wines (and varietals), leading to the
worldwide thirst for syrah, mourvedre, petite syrah (not technically of the
Rhône, but in the family, so to speak), and their respective blends.
Parker has two important books on the shelves (in addition to his own magazine,
the Wine Advocate, and his columns for Food & Wine magazine).
The first, simply titled Bordeaux (Simon and Schuster, 3rd ed., 1998,
$50), is basically the Bordeaux-lovers'
Bible. It has his ratings, as well as
his notes and anecdotes, about wines produced from 1961 to 1997 -- and if you
like Bordeaux (or drink a lot of it), you can't live without this book.
Parker's other tome is Parker's Wine Buyer's Guide (Fireside, 4th ed.,
1995, $25), which rates and describes wines from all over the world. Parker is
consistent and knowledgeable, and if you like his taste for the bold and
fruity, then you will want this book to benchmark the better wines you drink.
One unusual book that makes a great gift is by Ralph Steadman, famed for
illustrating Hunter S. Thompson books and Bonny Doon labels. The Grapes
of Ralph: Wine According to Ralph Steadman (Harcourt Brace, 1996, $35)
features his rantings and incredible illustrations. It's sort of the
Playboy of wine books: you buy it for the pictures, but heck, the text
is worth reading, too.
Easily the most influential antipodean wine writer is James Halliday, who both
makes wines and writes about them. He is the Robert Mondavi of his region, an
indefatigable champion who did more to raise awareness about the virtues of
these incredible wines than anyone else. His Wine Companion, 1999: Australia
& New Zealand (HarperCollins, 1998, $16.95) covers practically every
winery in those countries.
Some books give you a real wine education: Mastering Wine, by Tom
Maresca (Grove Press, 1992, $12.95), takes you through a number of wine flights
(i.e., several wines tasted together). Though many of the wines aren't
available, the point is more to learn from the comparisons and counterpoints
than to re-create the exact tastings. There's also Wine for Dummies (and
its cousins Red Wine for Dummies and White Wine for Dummies, all
published by IDG Books Worldwide and available for less than $20) -- fairly
basic, but enjoyable and educational.
By far the easiest wine-buying companion is the Wine Spectator's Ultimate
Guide to Buying Wine (Running Press). The 1998 version in softcover sells
for $27.95 and includes the broadest selection of wines and an easy-to-follow
rating system (if you trust it). Also good is California Wine (Running
Press, 1996, $39.95), by Spectator columnist James Laube, which not only
is broad and comprehensive but goes into great depth about many wineries. This
guy really knows California wines.
Of the wine-course books (and there are dozens), my favorite is Kevin Zraly's
Windows on the World Complete Wine Course (Sterling, 1998, $25), which
is a paper version of the $695 course that Zraly teaches at the restaurant atop
the World Trade Center. First published in 1985, it is updated every year. Read
this book and you'll be more knowledgeable about wines than you were before, no
matter what you know or how much you drink. The man has passion, enthusiasm,
and a great palate. Plus, he writes really well.
David Marglin can be reached at wine[a]phx.com.
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