Diamonds
The last Kirk Douglas movie I saw was the woeful Oscar (1991), in which
he played a man who rose from the dead to slap Sylvester Stallone in the face.
That would have been a more respectable swan song for his career than
Diamonds. In it he plays Harry "The Polish Prince" Agensky, an
ex-welterweight champ (cue in scenes from The Champion) recovering from
a stroke who heads to Reno to find a cache of diamonds. The gimmick, of course,
is that Douglas himself suffered a stroke several years ago, and the effects
are painfully apparent in this return to the screen. His courage may be
inspiring. Nonetheless, his performance takes on the air of a freak show daring
you not to love it. All of which would have been acceptable had the rest of the
movie -- the direction, the screenplay, the other actors -- not seemed to have
suffered a stroke as well. In Diamonds, ineptitude is equaled only by
cynicism.
Forgoing the lawnmower of The Straight Story, Harry tools into town in a
convertible, accompanied by his son Lance (Dan Aykroyd, bloated and sad) and
grandson Michael (Corbin Allred, insufferable). Their tri-generational bonding
undergoes numerous tantrums and a trip to a cathouse run by Sin-Dee (Lauren
Bacall, why?). It's hard to say which scenes are more painful: Harry's
emetically mawkish monologues before mirrors, or his grotesquely clichéd
dialogue with Sin-Dee after he fails to make it with four of her best. And the
diamonds? They had been given to Harry years ago for throwing a fight. In this
bout, Douglas never had a chance.
-- Peter Keough
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