The Limey
(Artisan)
Steven Soderbergh's
film has '60s icon Terence Stamp as an aging ex-con from London in LA to find
out who killed his daughter Jennie, and pursuing Peter Fonda's epicene record
producer, the last person to see her alive. But the storyline is not as
important as Soderbergh's disruption of and insight into the conventions of
storytelling itself, into the whole nature of time and the self that tells
these tales.
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