The Boston Phoenix
Review from issue: June 1 - 8, 2000

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Three stars

Man on the Moon

(Universal)

Milos Forman's Man on the Moon, the late comic Andy Kaufman's last laugh at the rest of us, is an alternately smug and hilarious bio-pic that provides little insight into the motivation of its source. Surprisingly conventional and superficial, this film consists almost entirely of Carrey showcasing his uncannily dead-on impression of Kaufman's bits ("channeling" is the quasi-religious term the filmmakers are prompting, with an eye to an Oscar). Everyone else -- audiences, loved ones, David Letterman -- is just a reaction shot, failing to comprehend, getting offended, getting the joke, realizing that the joke is on them. Kaufman's life in Moon is a weird sadomasochistic dance ending in adoration. But classic Kaufman moments, such as the Mighty Mouse routine and the farewell concert at Carnegie Hall, are frighteningly well re-created, and there's pleasure in the outstanding performance of Paul Giamatti as Bob Zmuda, Kaufman's collaborator/alter ego/enabler.
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