Cousin Bette
Based on Honoré de Balzac's bawdy novel, this period piece, set in Paris
on the eve of the French Revolution, outs the sanctimony of the aristocracy
(à la Henry James's The Wings of the Dove), where money and
posture outweigh love and compassion. Jessica Lange plays an impoverished
spinster who has sacrificed her life for the family's name, so when the
matriarch (Geraldine Chaplin) passes on, Bette fully expects to take her place
as the bride of Baron Hulot (Hugh Laurie) but instead is humiliated and
demoralized when she's given the role of housekeeper. Grudgingly she takes to
the task of raising her ripening younger cousin, Hortense (Kelly MacDonald);
her only solace comes from nursing a young artist (Aden Young) to notoriety.
Bette has designs on the magnetic sculptor, but he slips out from her
controlling hand and furtively pursues Hortense. They marry, and in riposte,
Bette engages the services of Jenny Cadine (Elizabeth Shue), Paris's courtesan
of the moment, to enact a frothy tract of revenge.
First-time director Des McAnuff (moving on from theater's Tommy)
doesn't train his eye on the charged political environment of the time, instead
wallowing in the seamy chambers of Balzac's self-destructive characters. The
performances, most especially Lange's devilishly wry delivery, and the lavish
cinematography by Andrej Sekula are top shelf -- it's too bad that the vehicle
that bears their fruit blossoms with the frivolous frugality of a soap opera.
-- Tom Meek
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