Nitsch 98

Cecilia Miniucchi's new documentary explores the rarely seen work of an artist who claims his work cannot be effectively documented: Hermann Nitsch, whose "Orgies Mysteries Theatre" has outraged the media in his native Austria and widely influenced performance artists around the world. "My work affects all of the senses," he insists, "language is not strong enough." The film chronicles Nitsch's exhibit at the Museum of Contemporary Art in LA, as well as the rehearsal of his "Six Day Play" on the grounds of Prinzendorf Castle, his private estate near Vienna.

Similar in tone to the "happenings" of the 1970s, Nitsch's examples of Abstract Expressionism and action painting make Pollock and Warhol look like Grandma Moses. His performances, always for small audiences, involve dozens of actors, musicians, and assistants -- and plenty of offal. The controversy stems from his effusive use of blood and animal carcasses, including lots of disemboweling. Pale, naked models are splashed with red paint, blood, and organs, with some live crucifixion and copulation thrown in for good measure. Oh and it's all accompanied by discordant music played on strings, brass, and kettledrums. Don't miss this viscera-throttling film experience -- but do skip dinner beforehand. At the Harvard Film Archive April 23. The director will be present.

-- Peg Aloi