*** Paul Robeson
THE PEACE ARCH CONCERTS
(Folk Era)
Probably no other
musician -- not even the Weavers -- was such a victim of McCarthyism as
stentorian Paul Robeson (1898-1976). After the State Department revoked his
passport, he couldn't even earn a living abroad. As a result, he had to perform
the legendary 1952 and 1953 concerts collected on The Peace Arch
Concerts from a flatbed truck a mere foot from the Canadian border, at the
Peace Arch in Blaine, Washington.
His folk/spiritual/classic repertoire is both universal and personal. Jerome
Kern had tailored "Ol' Man River" for Robeson's operatic baritone. The
precisely enunciated "No More Auction Block" speaks to his minister father's
birth in slavery. The traditional "Scandaliz' My Name" responds to red baiting.
Some spirituals that speak of the enslavement of the Hebrew people are adapted
for the nascent civil-rights movement; heard with "Joe Hill," they reflect
Robeson's belief in the close ties between racial and class struggles. Yes, the
sound's a bit murky at times, but Robeson's dignified charisma is
overwhelming.
(See our review of the "Paul Robeson Centennial Film
Festival," April 2 through 5.)
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