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Diamanda in the rough
Diamana Galás brings her unique vocal stylings to Berklee, plus additional Pixies dates and more

Next week

Whether she’s ululating in dead languages or bringing frightful new life to a Screamin’ Jay Hawkins standard, Diamanda Galás is the scariest singer we’ve ever heard. Possessed of a superhuman four-octave range, Galás takes her voice to weirder places than Björk, and she draws more blood than Nick Cave. In the past, she’s alternated between shrieking, apocalyptic avant-garde operas (including The Litanies of Satan, after Baudelaire, and her Plague Mass, which evokes the horror of the AIDS crisis) and savage, roller-coaster readings of gospel and ’50s R&B standards. She’s just released a pair of live double albums (both Mute) covering both her spheres: Defixiones: Will and Testament, Orders from the Dead, a meditation on early-20th-century genocides that includes settings of poems in a half-dozen languages; and La Serpenta Cantata, a concert of lone-wolf blues and country. They’re her first albums of the new century, and she’s making a rare Boston appearance on October 8 at the Berklee Performance Center, 136 Massachusetts Avenue in Boston. It’s a 7 p.m. show, and tickets are $25 and $34; call (617) 931-2000.

Also next week

The work of the 13th-century Turkish love poet Jelaluddin Rumi is brought to life by translator Coleman Barks (who issued The Soul of Rumi: A New Collection of Ecstatic Poems last year), cellist David Darling, percussionist Glen Velez, and "storydancer" Zuleikha in a multidisciplinary evening titled "The Rumi Concert: A Turning Night of Stars" that’ll benefit the Montague-based House of One People. It too takes place October 8, at Jordan Hall, 30 Gainsborough Street in Boston. Tickets are $25 to $75; call (617) 585-1260.

And beyond

You asked for it, you got it: another night of the Pixies/Mission of Burma spectacular has been added at Tsongas Arena in Lowell, with a December 2 date joining their SRO December 1 show on the itinerary. Promoter MassConcerts initially ran a banner reading "final area appearance" under the announcement of the December 2 addition, but this advisory has since been removed — read into that what you will. Tickets are $35.50, and they probably won’t last long; call (617) 931-2000.

Leaks of the week

Eminem’s comeback album, Encore (Shady/Interscope), promises to be one of the most closely guarded releases of the year, but within hours of DJ Green Lantern’s debuting a one-minute clip on the radio, digital rips were riding the Web. The first single’s a pillow fight for the kids: over a tinker-toy electro beat, Em sets his enthusiasm level to hall monitor and flips "Hammer time" into "pajama time." But not even a fart joke, a nod to Beavis and Butthead, and a Pee-wee Herman scream can keep it off dance floors. The album’s out November 16. . . . Just when we thought former Rage Against the Machine frontman Zack de la Rocha was turning into Axl Rose, he released a Trent Reznor–produced solo tune, "We Want It All," to iTunes. Way closer in form and content to the MC5 than to Public Enemy, it’s scheduled for hard-copy release via the Michael Moore–assembled Songs That Inspired Fahrenheit 9/11 (Epic; due October 5). . . . And though the label is still stalling us on advances, someone was able to snatch Le Tigre’s This Island (Island) off a peer-to-peer network last week: you need the Bikini Kill–strength punk rant "Seconds," their Blondie-disco moment "After Dark," and their bubblegum electro-reggae cover of the Pointer Sisters’ "I’m So Excited." The disc comes out October 19, and the band hit Avalon, 15 Lansdowne Street in Boston, on October 23; call (617) 931-2000.


Issue Date: October 1 - 7, 2004
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