William Topley is in some ways a throwback to the first British Invasion, when white English singers fetishized the style of black American bluesmen. Topley, the former singer for the Blessing, evokes processors with his sly slurring (à la Jagger), his hoarse declamations (think Eric Burdon), and the mellifluous cadence of the young and rough Van Morrison. So no surprise that he’s the only Brit on the rootsy, Nashville-based Lost Highway label.

Feasting with Panthers opens with the unbeatable trifecta of wet-kiss harmonica, heroic organ, and shimmering wah-wah guitar on "Back to Believing." "Magnolia" is a tone poem, part Kerouac, part Van Morrison; "I Can’t Wait" sounds like a great John Hiatt song that Hiatt hasn’t yet written. There’s a classic reggae move on "Excuses" that has the kind of authenticity-once-removed that neither Sting nor Eric Clapton nor any other Jamaica-infatuated classic rocker has achieved. Only consecutive ballads drag down the end of the disc, and "Drake’s Drum" has some nerve not calling itself "Mystery Train," even if it is about Sir Francis Drake’s attack on a treasure-laden mule train in 16th-century Panama. With other references or influences said to include Somerset Maugham, Noël Coward, Graham Greene, and Ernest Hemingway, Feasting with Panthers may yet be the first Anglo-American blues-rock record to get the endorsement of Oprah’s Book Club.