Best National New Act
Third Eye Blind
Signifying
Like Better than Ezra in 1995 or the Gin Blossoms (remember them?) in
'94, Third Eye Blind went from Nowheresville, USA (actually, San Francisco), to
the magical realm of Heavy Rotation (on radio and MTV) in less time than it
takes MTV to hold auditions for a new VJ. The band's self-titled debut CD on
Elektra, which continues to spawn singles a year after its release, is in many
ways an unremarkable album, with its slicked-up modern-rock production (grainy
guitars, pounding drums, and the occasional desperate vocal signifying but not
embodying angst and alienation) and the kind of safely solid songwriting that
draws on everything from U2 to Jane's Addiction, Pearl Jam, Counting Crows, and
any other purveyor of '90s alterna-anthems, without really referring to anyone
in particular. Fortunately for Third Eye Blind, there are half a dozen other
acts out there -- Matchbox 20, Our Lady Peace, and Days of the New come
immediately to mind -- doing much the same thing with only half the skill and
even less of the emotional depth that singer-guitarist-producer Stephen Jenkins
poured into Third Eye Blind. In other words, Third Eye Blind are great
at what they do -- even if what they do is merely pretty good.
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