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BBC documentary about Bill Hicks
LOGIC SETS YOU FREE No hypocrite was safe from Hicks’s raging comedy — bullies, rednecks, fear mongers, non-smokers, fundamentalists, New Kids on the Block.

Some people throw parades for firemen. Others wave flags at Marines: "Thank you for your service." But for those of us who live to subvert authority — and who have sensed a strange hilarity emanating from this shitty planet since before puberty — the late comedian extraordinaire Bill Hicks is the quintessential American icon. He died for our sins. Just like Lenny Bruce died for his.


American: The Bill Hicks Story
(BBC DVD) doesn't take such notions lightly. In concept, content, and execution, directors Matt Harlock and Paul Thomas knocked this one outside of the box, which is appropriate, since that's the only place where Hicks operated. Of course, they couldn't have had an easier subject. Damn near every word the dude said deserved an audience.

Hicks realized the importance of humor in his teenage years, when he began using satire as an outlet to exorcise the resentment he'd nurtured as an adolescent in suburban Houston. By the age of 13, in the 1970s, Hicks was performing flash-mob-style sketches in his high-school hallways, and forming a comedy duo with his best friend to the end, Dwight Slade. This had been his destiny since first seeing Woody Allen tell jokes on television. Hicks would become a professional comic. His heart and gonads told him so.

After years of sneaking out of his parents' home to headline in Houston on school nights, by 18 Hicks was a pro, and he took his show to Los Angeles, "forsaking college and the easy life." At the legendary Comedy Store on Sunset Boulevard, he earned his first accolade: the best young cat ever to do it. But that wasn't enough. Hicks had more to offer than jokes about his quirky Southern Baptist family, and about the high-school teachers who he outsmarted with ease.

A scene veteran at 21, Hicks fell out of love with Hollywood after a failed attempt to sell a screenplay. Back in Houston, he found the voice of outrage he'd been looking for — along with a new appetite for drugs and alcohol. Riding mushroom trips to higher comic consciousness, he arrived at a philosophy that would guide him forever on: logic sets you free. After that, no hypocrite was safe, from bullies, rednecks, and fear mongers, to non-smokers, fundamentalists, and New Kids on the Block. But before long the booze began to blind him. Within a year, he went from being a Letterman regular to a room-clearing alcoholic.

American is gorgeous beyond beauty — using imaginative animation techniques, it tells more with still pictures than most docs do with moving footage. But the film also sings because, despite his early departure, Hicks managed a full-circle existence, from youthful enthusiasm, to grown-up realities, to happiness and satisfaction. He trudged through a gauntlet of substance abuse and loneliness to get there, but in the time that Hicks took to sober up, earn mega-stardom, and ultimately die from pancreatic cancer in 1993, he'd finally figured out why he was put here.

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2 Comments / Add Comment

Steve Teeter

SEVEN LOUSY PARAGRAPHS AND A LINE???
Bill Hicks desrves more than that. You could have talked about how he became huge in England but was virtually unknown here due to censorship. You could have written about how Denis Leary stole tons of his work. Or you could have written about how his last ever routine was cut from the David letterman show by the censors... but you didn't.

And if you're going to quote him, please use the whole quote-

The world is like a ride at an amusement park. And when you choose to go on it, you think that it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills, and it's very brightly coloured, and it's very loud and it's fun, for a while. Some people have been on the ride for a long time, and they begin to question - is this real, or is this just a ride? And other people have remembered, and they come back to us. They say 'Hey! Don't worry, don't be afraid, ever, because, this is just a ride.' And we...kill those people. Ha ha ha. 'Shut him up! We have a lot invested in this ride. SHUT HIM UP! Look at my furrows of worry. Look at my big bank account and family. This just has to be real.' It's just a ride. But we always kill those good guys who try and tell us that, you ever notice that? And let the demons run amok. But it doesn't matter because: it's just a ride. And we can change it anytime we want. It's only a choice. No effort, no work, no job, no savings, and money. A choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourselves off. The eyes of love, instead, see all of us as one. Here's what you can do to change the world, right now, to a better ride. Take all that money that we spend on weapons and defence each year, and instead spend it feeding, clothing and educating the poor of the world, which it would many times over, not one human being excluded, and we could explore space, together, both inner and outer, for ever, in peace.
Bill Hicks
Posted: June 14 2011 at 1:41 PM

RattyTatTat

It is ironic that this article discusses killing special in the ride that is life – and yet Steve Teeter still found it appropriate to post a comment that proves he lacks the ability to recognize that Chris Faraone is one of the only journalists in Boston with the artistic balls to always capture truth, logic, comedy and beauty in a world hooked on fear, that continues to criticize and sensor the good ones. – Ratty.
Posted: June 22 2011 at 12:13 PM
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