FIND MOVIES
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies

Dixième Chambre: Instants D’Audience | The 10th District Court: Moments of Trial

Rating: 3 stars
By PETER KEOUGH  |  February 9, 2006
3.0 3.0 Stars
NO COMMENT The filmmaker lets the moments speak for themselves.The cases heard in the typical court sessions of Raymond Dépardon’s documentary start out with drunk-driving charges against middle-class plaintiffs and end up with drug, robbery, and other criminal offenses committed by poor people, minorities, and illegal aliens. No surprise as to who gets the better deal, but Dépardon, taking the approach of Frederick Wiseman (whose recent Domestic Violence films this resembles), offers no direct comment. Instead, he chooses moments — such as a judge snidely speculating that the young Arab before her probably hasn’t been spending his spare time at the Centre Georges Pompidou — that deconstruct the fairness and the objectivity of the system.
Related: Bagged Ben, They're watching you, Truth, Justice — or the Boston Way, More more >
  Topics: Reviews , Crime, Trials, Frederick Wiseman,  More more >
| More


Most Popular
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   BUFFET DINING: THE 15TH BOSTON UNDERGROUND FILM FESTIVAL  |  March 19, 2013
    "Copraphagy" is a key word at this year's Boston Underground Film Festival at the Brattle.
  •   REVIEW: GINGER & ROSA  |  March 19, 2013
    Sally Potter likes to mess around with form and narrative.
  •   UNDERGROUND CINEMA: THE 12TH BOSTON TURKISH FILM FESTIVAL  |  March 12, 2013
    This year's Boston Turkish Film Festival includes works in which directors ponder the relationships between the secular and the religious, between men and women, and between destiny and identity.
  •   REVIEW: A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III  |  March 12, 2013
    In Roman Coppola's sophomoric second feature (his 2001 debut CQ was promising), Charlie Sheen shows restraint as the titular asshole, a dissolute ad designer and solipsistic whiner who's mooning over the loss of his latest love.
  •   REVIEW: UPSIDE DOWN  |  March 14, 2013
    Had Ed Wood Jr. directed Fritz Lang's Metropolis , he couldn't have achieved the earnest dopiness of Juan Solanas's sci-fi allegory — nor the striking images.

 See all articles by: PETER KEOUGH