FIND MOVIES
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies

Review: I Can't Think Straight

Pastel-colored romance
By PETER KEOUGH  |  April 28, 2009
1.5 1.5 Stars


VIDEO: The trailer for I Can't Think Straight

You'd think being a gay Muslim in London would involve a lot of stress, but in Shamim Sarif's blithe, pastel-colored romance, everyone is beautiful and rich, so it's just another diversion. Leyla (Sheetal Sheth), an Indian Muslim living with her family in London, doesn't know why she isn't interested in getting married or working at her dad's insurance company.

Then she meets Tala (Lisa Ray), scion of a wealthy Palestinian family who's blown off four engagements already. After dismounting from her polo pony, Tala tells Leyla to be True to Herself. A gauzy, chastely shot tryst follows, but Tala disregards her own advice and takes up with fiancé number five.

More engaging than the stereotyped principals are those in the supporting cast — like Antonia Frering as Tala's mother, who sports a foot-long Cruella DeVil cigarette holder.

Related: Beijing sting, Free pass on gay hatred?, Strange bedfellows, More more >
  Topics: Reviews , London, Shamim Sarif, Shamim Sarif,  More more >
| More


Most Popular
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   BUFFET DINING: THE 15TH BOSTON UNDERGROUND FILM FESTIVAL  |  March 19, 2013
    "Copraphagy" is a key word at this year's Boston Underground Film Festival at the Brattle.
  •   REVIEW: GINGER & ROSA  |  March 19, 2013
    Sally Potter likes to mess around with form and narrative.
  •   UNDERGROUND CINEMA: THE 12TH BOSTON TURKISH FILM FESTIVAL  |  March 12, 2013
    This year's Boston Turkish Film Festival includes works in which directors ponder the relationships between the secular and the religious, between men and women, and between destiny and identity.
  •   REVIEW: A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III  |  March 12, 2013
    In Roman Coppola's sophomoric second feature (his 2001 debut CQ was promising), Charlie Sheen shows restraint as the titular asshole, a dissolute ad designer and solipsistic whiner who's mooning over the loss of his latest love.
  •   REVIEW: UPSIDE DOWN  |  March 14, 2013
    Had Ed Wood Jr. directed Fritz Lang's Metropolis , he couldn't have achieved the earnest dopiness of Juan Solanas's sci-fi allegory — nor the striking images.

 See all articles by: PETER KEOUGH