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CD Reviews
Unknown Mortal Orchestra | Unknown Mortal Orchestra
Fat Possum (2011)
By
JILLIAN MAPES
|
June 29, 2011
Unknown Mortal Orchestra | Unknown Mortal Orchestra
" alt="photo of 'Unknown Mortal Orchestra | Unknown Mortal Orchestra'">
3.0
Stars
Fat Possum is having perhaps its best year . . . well, ever. Not only will the Mississippi label turn over a new leaf by releasing the debut album from Odd Future duo MellowHype later this month, their 2011 batting average for jangly little lo-fi gems has been, to say the least, reliable. So it comes as little surprise that hot on the heels of debuts from some of indie's most promising up-and-comers (Smith Westerns, Bass Drum of Death, Yuck) comes an impressive premiere from Unknown Mortal Orchestra. Via Portland, Oregon, the mysterious trio sound straight out of the Elephant 6 universe and deliver lithe melodies that — despite their sunny agility — find a way to stick in your head even in dark times. Opening track "Ffunny Ffrends," like half or so of the album's nine tracks, tempers touches of trip-hop drum-and-bass against guitar riffs that manage to be both far-out and funky without a hint of faux-retro predictability. "Jello and Juggernauts" starts off like Hendrix playing "The Star-Spangled Banner" on exceptionally warped vinyl — in the best way possible. As
Unknown Mortal Orchestra
wears on, there is some loosening of the pop reins, ending the album on a wandering psychedelic journey reminiscent of Grizzly Bear. A nice trip indeed.
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The Sounds | Something To Die For
The recent news that British electronic act Faithless have called it a day no doubt left dejected ravers reaching for extra MDMA to stave off the tears.
Crystal Stilts | In Love With Oblivion
Slumberland (2011)
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With its disco-bass pulse, jet-engine synths, and seductive half-time chorus, "Itchy Fingers" kicks things off by demonstrating the Boys' finesse for tricked-out, ass-shaking programmed grooves.
Atari Teenage Riot | Is This Hyperreal?
Returning after 11 years of officially not existing, what's left of ATR could've focused their energies on kicking lots of ass. Instead, they indulge spoken-wordy, freshman-year non-profundities...
The Coathangers | Larceny & Old Lace
The Coathangers' abrasiveness goes beyond their band name's graphic, backroom abortion reference: riot-grrrl shrieks, slap-in-the-face lyrics, and badass post-punk energy are all up front on their records.
Let's Wrestle | Nursing Home
Let's Wrestle are another pack of young British guitar owners, and although they haven't crafted much of an identity outside of being amiable wiseasses, that's all you need if your songs are catchy enough.
Vast Aire | OX 2010: A Street Odyssey
Although it's an imperfect effort in some regards, the somewhat conceptual OX 2010: A Street Odyssey testifies to Vast's highly developed steez, and does so with complements from MCs who effortlessly jibe with his arcane rhyme selections.
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Peter Murphy | Ninth
It used to be that casual music fans knew Peter Murphy only as the singer of Bauhaus's archetypal goth piece "Bela Lugosi's Dead." Times change, even for the undead, and since Murphy appeared in last year's Twilight Saga: Eclipse as the Cold One (a vampire, natch), horny pre- and post-pubescents now associate him with that dreadfully goth-lite world.
Trans Am | What Day Is It Tonight? Trans Am Live, 1993 - 2008
Trans Am are distillers of guilty pleasures, mixing fat AOR riffs with sleazy electronic accents and a propulsive attitude typically reserved for arcade soundtracks. What Day Is It Tonight? covers the DC-area band’s 20-year history with high-quality, high-energy live cuts taken from their many tours.
Various Artists | Where the Action Is: Los Angeles Nuggets 1965 - 1968
More than three years in the making, the most recent installment of Rhino's legendary archival garage-rock series offers an amazingly comprehensive excavation of an absurdly fertile scene.
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