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THE DIVINE SISTER The sister acts up in the Boston permiere of this off-Broadway hit.
Fall came early to Boston boards this year, bringing with it "Summertime." The season opened with American Repertory Theater's star-studded retooling of the Gershwins' Porgy and Bess (at the Loeb Drama Center through October 2), its libretto revised by Pulitzer-winning dramatist Suzan-Lori Parks. Across the river, the Huntington Theatre Company offers a co-production of Leonard Bernstein's Candide (at the BU Theatre through October 16), newly adapted from Voltaire by Obie-winning director Mary Zimmerman. Also up already: a Lyric Stage Company revival of Big River (through September 17); New Repertory Theatre's rocking of Pulitzer winner Rent (at Arsenal Center for the Arts through September 25); and ex-ART honcho Robert Brustein's Mortal Terror, which imagines what Shakespeare was up to while writing Macbeth (presented by Boston Playwrights' Theatre and Suffolk University at the Modern Theatre through October 2). And that's just the beginning of what's happening between now and — you should pardon the expression — Turkey Day.

PROVINCETOWN TENNESSEE WILLIAMS THEATER FESTIVAL | September 22–25 | The sixth annual veneration of the playwright also celebrates his centennial. Among the highlights are a Creative Concepts production, in association with New York's LaMaMa, of Now the Cats with Jewelled Claws, starring John Waters muse Mink Stole and Theatre of the Ridiculous vet Everett Quinton; Glass Guignol: A Master Class with Lee Breuer, built around the avant-garde eminence's landmark Paris staging of Streetcar, and a guided tour of Williams's P-town haunts led by Jeremy Lawrence, who has written and starred in three one-man shows about Williams. | Provincetown, various venues | $25–$50; $125–$600 festival pass | 866.789.TENN or twptown.org

SOUTH PACIFIC | September 27–October 2 | At last, Boston gets a gander at director Bartlett Sher's multiple-Tony-winning 2008 Lincoln Center revival of the melodious 1949 Rodgers and Hammerstein classic that suggests we wash that racism right out of our hair. | Opera House, 539 Washington St, Boston | from $33 | 800.982.2787 or broadwayinboston.com

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THE INFERNAL COMEDY John Malkovich shares the stage with a string orchestra and a couple of sopranos in his portrait of Austrian serial killer Jack Unterweger.

THE INFERNAL COMEDY: CONFESSIONS OF A SERIAL KILLER | September 29–30 | In the US premiere of this "cross between chilling crime drama and Baroque opera," screen star John Malkovich gets inside the homicidal head of Austrian celebrity criminal Jack Unterweger, who was sent to prison for murder and then ostensibly rehabilitated and released before going on to murder 11 more women. Malkovich's seductive Unterweger shares the stage with a live orchestra and snuggles creepily up to a pair of sopranos spewing arias of desire and despair. | Cutler Majestic Theatre, 219 Tremont St, Boston | $25–$195 | 617.824.8400 or artsemerson.org

TINY KUSHNER | September 30–October 22 | David J. Miller is at the helm of this East Coast premiere of short works by Angels in America scribe Tony Kushner. Among the dramatis personae: Nixon's psychiatrist, the angel Metatron, a deposed queen of Albania, and Laura Bush explaining the Grand Inquisitor chapter of The Brothers Karamazov to the ghosts of Iraqi children. | Boston Center for the Arts Plaza, 539 Tremont St, Boston | $20–$25 | 617.933.8600 or bostontheatrescene.com

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