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Julie Delpy’s infernal, funny 2 Days in Paris
There’s nothing like love in Paris — in French movies, at least, it’s the city where romance goes to die.
Champ versus chump in The King of Kong
Florida lawyer/video game scapegoater Jack Thompson has it all wrong.
An unexpectedly complex documentary
The true artist, so goes the myth, labors in bohemian obscurity in search of truth and beauty.
The self-appointed co-star needs to be cut
Jimmy Mirikitani is a homeless Japanese-American artist living on the streets of New York’s Lower West Side.
A lively boneyard romp
But gags involving excrement and gay dwarfs from the deceased’s past don’t do justice to the cinematic funeral tradition.
An authentic script on teen angst
Blitz knows his adolescent cruelty and his adult misbehavior, and he details them with barbed wit and compassion.
Increasingly silly skits
Even those famous outtakes that play during the credits appear labored.
Superbad respects teens and comedy
I know it hasn’t escaped you how terrible comedies have gotten.
A visually lush adaptation
Who knew that Matthew Vaughn had an inner Narnia?
Lacking the orginal bite
The My Name Is Earl star sounds scruffy enough, but it just doesn’t fit.
The legendary playwright is better
There is a burgeoning trend whereby the work of a legendary writer is attributed to some spurious personal experience.
Predictability ensues
Because even Eddie Murphy had better things to do, Cuba Gooding Jr. stars in this mess of a sequel.
Oh my god, this movie totally sucks
Bratz is based on those slutty dolls people inexplicably buy for their kids.
Three years too late
What we could use now is a documentary that gets it right before it’s too late to mean anything.
A film about an enigma
Thus the paradox of a man who left three albums of eloquent songs about his inner life and little else.
Terror on repeat
It’s difficult to criticize a documentary about the horror of nuclear warfare and how to prevent it from happening again.
Cookie-cutter bombast
Unlike Lopez, he digs beneath the soap-opera dialogue and bares his character’s soul.
The gamut of taste
In this big-screen vehicle for pop sensation Antwan Andre Patton, nearly every element of the plot rips off the mangy 1980 comedy Caddyshack .
Hallelujah the hodgepodge
Winona Ryder, for example, plays a newlywed who gets sexually liberated by a dummy (the wooden kind).
Whisker-close footage
All the same, this effort soundly delivers the inconvenient truth to the generation who’ll inherit it.
Lindsay Lohan's robotic reel life
Lohan’s virgin/whore dons a robotic hand, the perfect prop to match her performance.
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