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Photos: Vamos al tiroteo at the Cutler Majestic Theatre

Rafaela Carrasco’s flamenco dance show Vamos al tiroteo at the Cutler Majestic Theatre, March 2-3, 2012

By ERIC ANTONIOU | March 7, 2012

Rafaela Carrasco’s flamenco dance show Vamos al tiroteo at the Cutler Majestic Theatre, March 2-3, 2012.

READ: "Flamenco at the Majestic, and a dash of Merce," by Marcia B. Siegel.

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Review: A House in Bali
A House in Bali , Evan Ziporyn's dense syncretic opera, regales you with sounds, moves, images, and contradictions. It's a little like visiting Bali for the first time. The strangeness can be overwhelming, but you'll never forget the clangor.
Ballet Hispanico falls short
All three dances presented by Ballet Hispanico at the Cutler Majestic last weekend depended heavily on costume effects to convey their messages.
Flamenco at the Majestic, and a dash of Merce
At the beginning of Vamos al tiroteo, the new flamenco show by Rafaela Carrasco, the darkened, silent theater is pierced by a strobe light, clacking castanets, and the scratchings of an old phonograph record.
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Review: A House in Bali
A House in Bali , Evan Ziporyn's dense syncretic opera, regales you with sounds, moves, images, and contradictions. It's a little like visiting Bali for the first time. The strangeness can be overwhelming, but you'll never forget the clangor.
Ballet Hispanico falls short
All three dances presented by Ballet Hispanico at the Cutler Majestic last weekend depended heavily on costume effects to convey their messages.
Flamenco at the Majestic, and a dash of Merce
At the beginning of Vamos al tiroteo, the new flamenco show by Rafaela Carrasco, the darkened, silent theater is pierced by a strobe light, clacking castanets, and the scratchings of an old phonograph record.
Boston Ballet struts Robbins, Lander, and Martins
It's almost enough to make you nostalgic for World War II.
Vertigo at Jacob’s Pillow
In 2005, graffiti artist Banksy stenciled the Palestinian side of the concrete separation barrier between Israel and Gaza with the dark silhouette of a little girl lofted upward by a bouquet of balloons.
From the Horse's Mouth at Jacob's Pillow and Two Alike at the ICA
A lot has changed for American men dancers since Jacob's Pillow founder Ted Shawn felt he had to replace the sissified image of the ballet danseur with brawny "tillers of the fields."
Mark Morris's Socrates, The Muir, and Festival Dance
Erik Satie called his vocal work Socrate a "symphonic drama," though it's anything but dramatic in a theatrical sense — or symphonic, either.
A Glimpse Beyond: Cemetery Gaits
Two newcomers enter the paradisiacal garden that will be their final resting place.
Sequence 8: Out of the Box
When acrobat Colin Davis appears at the beginning of Sequence 8 in the role of a suit-and-tie-wearing radio announcer, a kind of Ira-without-Glasses, he is introducing acrobatics with a meta-narrative.
Lar Lubovitch dance company at the Citi Shubert Theatre
Originally a visual artist, choreographer Lar Lubovitch "paints the music in space" so that the stage acts as a vibrant canvas and his ensemble often coheres in a single robust or mesmerizing gesture.
Ten dance shows for fall
Young powerhouse dancer-choreographer Kyle Abraham brings his company to Boston in its area debut.
Preview: Kyle Abraham/Abraham.In.Motion at the ICA
"I had to do something," says choreographer/dancer Kyle Abraham, taking a break from rehearsing his company Kyle Abraham/Abraham.In.Motion in a downtown SoHo studio recently.
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Topics: Dance , Dance , Cutler Majestic Theatre , Cutler Majestic Theatre , More

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See all articles by: ERIC ANTONIOU

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